Noten für Chorleiter
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Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Klavierauszug
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Klavierauszug
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Gemischter Chor-SATB - Chorpartitur
Gemischter Chor-SATB - Chorpartitur
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Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Klavierauszug
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Klavierauszug
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Gemischter Chor-SATB - Chorpartitur
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In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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Gemischter Chor-SATB - Chorpartitur
Gemischter Chor-SATB - Chorpartitur
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Klavierauszug nach der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3) ad lib., Streicher, Orgel - Klavierauszug
Klavierauszug nach der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3) ad lib., Streicher, Orgel - Klavierauszug
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The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...
The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...
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- Piano reduction Download (Urtext)
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Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, trumpet (2), trombone (3), strings, organ - piano reduction
Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, trumpet (2), trombone (3), strings, organ - piano reduction
- 4 Soloists, Mixed Choir (SATB) and Piano
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The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
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Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...
Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...
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Gemischter Chor-SATB - Chorpartitur
Gemischter Chor-SATB - Chorpartitur
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Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...
Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...
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Chorpartitur mit Solopartien. Originaltext (lateinisch) und englische Übersetzung. Sopran solo ad lib., Bass solo ad lib, Gemischter Chor-SSB - Chorpartitur
Chorpartitur mit Solopartien. Originaltext (lateinisch) und englische Übersetzung. Sopran solo ad lib., Bass solo ad lib, Gemischter Chor-SSB - Chorpartitur
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Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...
Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...
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Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, oboe (2), trumpet (2), trombone (3), timpani, strings, organ - piano re...
Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, oboe (2), trumpet (2), trombone (3), timpani, strings, organ - piano re...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Martin Focke
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The Mass K. 262 (246a) is known as the Missa longa. Leopold Mozart wrote this designation for its incipit on the cover of the bundle in which the autographs of five of Mozart's masses in C major were...
The Mass K. 262 (246a) is known as the Missa longa. Leopold Mozart wrote this designation for its incipit on the cover of the bundle in which the autographs of five of Mozart's masses in C major were...
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Gemischter Chor-SATB - Chor
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Gemischter Chor-SATB - Chor
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On the occasion of the inauguration of a new orphanage on Vienna's Rennweg, the just twelve-year-old Mozart appeared before the audience as composer and conductor with his "Missa solemnis " in c K. 13...
On the occasion of the inauguration of a new orphanage on Vienna's Rennweg, the just twelve-year-old Mozart appeared before the audience as composer and conductor with his "Missa solemnis " in c K. 13...
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Gemischter Chor-SSB - Chorpartitur
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Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
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The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
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- Andreas Köhs
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