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In this remarkable piece, the audience is invited to hear my voice ... pierce the ceiling of the waves. With a text taken from the Book of Psalms, the work includes an aleatoric section where individu...

Where Are You? Stephen Bock's poignant text asks where a loved one has gone, now that death has come. Burchard's setting for a cappella SATB divisi and two soloists, with its rising, searching motives...

This striking a cappella setting of Scarborough Fair is a perfect fit for advanced concert choirs, a cappella groups or vocal jazz ensembles at high school, university and community levels. Made famou...

This striking a cappella setting of Scarborough Fair is a perfect fit for advanced concert choirs, a cappella groups or vocal jazz ensembles at high school, university and community levels. Made famou...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

You have never heard an arrangement of This Land Is Your Land quite like this one. The arranger, Blake Morgan, said: I felt it was fitting to illuminate one of Guthrie's original verses, placed at the...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

Im Wald (In the Forest) is number six of the Gartenlieder by Fanny (Mendelssohn) Hansel. A sprightly and refreshing piece, beautifully edited by Michelle Jensen, it fits perfectly in any program about...

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

Originally written and premiered at Carnegie Hall by the composer, this is the ultimate choral for musical unity! Set in a very rhythmic style with optional percussion parts, it can be sung a cappella...

Originally written and premiered at Carnegie Hall by the composer, this is the ultimate choral for musical unity! Set in a very rhythmic style with optional percussion parts, it can be sung a cappella...

Originally written and premiered at Carnegie Hall by the composer, this is the ultimate choral for musical unity! Set in a very rhythmic style with optional percussion parts, it can be sung a cappella...

Originally written and premiered at Carnegie Hall by the composer, this is the ultimate choral for musical unity! Set in a very rhythmic style with optional percussion parts, it can be sung a cappella...

No notes are sung! Instead, 4-part speech teaches rhythm, dynamics, style, choral energy and can even introduce choreography or simple movement. The vocal parts can be a mix of voices and even pared d...

No notes are sung! Instead, 4-part speech teaches rhythm, dynamics, style, choral energy and can even introduce choreography or simple movement. The vocal parts can be a mix of voices and even pared d...

Looking for an arrangement to feature a great soloist while still highlighting your choir? Look no further. Stacey Gibbs' arrangement of Dottie Rambo's classic hit I Go to the Rock is full of rhythmic...

A lesser-known American hymn is explored and expanded in this dynamic adaptation. Robust and energetic, the minor mode theme is a compelling setting for a lyric that celebrates discipleship and abunda...