Noten für Chorleiter
- Mixed Choir (SATB) and Piano
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- Giacomo Mezzalira
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Text und Melodie: afro-amerikanisches Spiritual
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- Sebastian Krause
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Melodie und Satz: William Cornish (Cornysh)(ca. 1465/68-1523) in Henry VII's Songbook
Melodie und Satz: William Cornish (Cornysh)(ca. 1465/68-1523) in Henry VII's Songbook
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- Mirjam James
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in: Henry XIII's Songbook
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Melodie: trad. aus Irland ('Paddy O'Snap'), bearbeitet von Thomas Moore; Satz: aus: Six Irish Folksongs, op. 78
Melodie: trad. aus Irland ('Paddy O'Snap'), bearbeitet von Thomas Moore; Satz: aus: Six Irish Folksongs, op. 78
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- Charles Villiers Stanford Thomas Moore
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This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.
This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.
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This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.
This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.
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After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...
After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...
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After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...
After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...
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This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
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This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
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In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
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In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
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- Mixed Choir (SATB)
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- Mixed Choir (SATB)
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An Easter motet in honour of Mary
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An Easter motet in honour of Mary
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- Mixed Choir (SSATBB)
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- Wolfram Buchenberg
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- Wolfram Buchenberg
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