Peter Schindler
O varium fortune
aus: Perpetuum mobile - Songs from the Codex Buranus
Peter Schindler
O varium fortune
aus: Perpetuum mobile - Songs from the Codex Buranus
- Instrumentation Mixed Choir (SATB), Soprano Saxophone, Piano, Double Bass and Percussion
- Optional Instrumentation Mixed Choir (SATB), Instrument in C, Piano, Double Bass, Percussion and Strings
- Edition Piano Score
-
Difficulty Level
- Composer Peter Schindler
- Publisher Carus-Verlag
- Order no. CV09296-60
incl. tax,
excl. shipping costs
Volume pricing
from 40 pcs
3,42 € / pcs
from 60 pcs
3,04 € / pcs
Description:
Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“:
Das rhythmische Strophenlied auf Text No. 14 ist im Codex Buranus das erste einer Gruppe von Gedichten auf das Glück und seinen Wankelmut. Die Unbeständigkeit des Glücks wird durch kurze unruhige Fügungen und in nebeneinandergestellten Bildern beschrieben, die ständig ins Gegenteil kippen.
Auch aus der Antike ist ein Thema nach Psalm 113,7 eingeflossen: „de stercore pauperem erigens“ (aus dem Schmutz erhebt er den Armen.) Es zeigt, wie sehr die damalige Zeit mit den Themen vertraut war. Anfang und Ende des Gedichtes schließen sich zusammen wie ein Rad, hier wurde das ewige Auf und Ab des Glücksrads durch Worte symbolisiert. Es war den Menschen immer bewusst, dass das Glück eine wechselhafte Diva ist. Der Volksmund kennt dazu das Sprichwort: „Wie gewonnen, so zerronnen“.
Der Chor trägt dieses Gedicht in meist homophonem Satz in einem mäßigen Tempo vor. Die sängerische Haltung ist eher distanziert und beschreibend. Weise erteilt der Chor Ratschläge ans Publikum: Die Mitte zu wählen ist sicherer als nach der Höhe des Rades zu streben. Ob Eduard Mörike diese Zeilen kannte, als er die Zeile schrieb: „Doch in der Mitten liegt holdes Bescheiden.“
Das rhythmische Strophenlied auf Text No. 14 ist im Codex Buranus das erste einer Gruppe von Gedichten auf das Glück und seinen Wankelmut. Die Unbeständigkeit des Glücks wird durch kurze unruhige Fügungen und in nebeneinandergestellten Bildern beschrieben, die ständig ins Gegenteil kippen.
Auch aus der Antike ist ein Thema nach Psalm 113,7 eingeflossen: „de stercore pauperem erigens“ (aus dem Schmutz erhebt er den Armen.) Es zeigt, wie sehr die damalige Zeit mit den Themen vertraut war. Anfang und Ende des Gedichtes schließen sich zusammen wie ein Rad, hier wurde das ewige Auf und Ab des Glücksrads durch Worte symbolisiert. Es war den Menschen immer bewusst, dass das Glück eine wechselhafte Diva ist. Der Volksmund kennt dazu das Sprichwort: „Wie gewonnen, so zerronnen“.
Der Chor trägt dieses Gedicht in meist homophonem Satz in einem mäßigen Tempo vor. Die sängerische Haltung ist eher distanziert und beschreibend. Weise erteilt der Chor Ratschläge ans Publikum: Die Mitte zu wählen ist sicherer als nach der Höhe des Rades zu streben. Ob Eduard Mörike diese Zeilen kannte, als er die Zeile schrieb: „Doch in der Mitten liegt holdes Bescheiden.“
- Language: Latin
- Pages: 8
- Release: 20.08.2024
- Term: 3:00
- Dimensions: 210 x 297 mm
- Weight: 24 g
- Key: A minor
- Genre: Classical Music, Classical Music of the Modern Age
- ISMN: 9790007329488
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