Ēriks Ešenvalds

Passion according to St Luke

Cast:
Soli: MezS.T.Bar - Choir: SSAATTBB - 2.2.2.2 — 2.2.0.0 — Timp.Perc.Harp — Strings

This work for mixed choir and symphony orchestra is divided into eight untitled contrasting movements. The music is sumptuous, rich, and powerful, with heroic, picturesque, passionate, and ethereal elements.

The Passion opens with terrifying, powerful cries 'Crucify him, away with him!' by the entire choir. The second movement (Misterioso) is a free-flowing, meditative reflection on Jesus being a carpenter's son. The third (Espressivo) portrays people following Jesus by use of short repeated staccato archi chords resembling the followers' footsteps. The fourth (Adagio) contains a Hebrew melody sung by a mezzo soprano — Jesus's mother saying a prayer over her sleeping son. Her voice soars over the long sustained low chords, with shimmering strings in high registers. The fifth movement (Espressivo) begins with subdued tones and a sense of suspended reality, providing a stark contrast to the fearsome depiction of the nails being driven into the flesh of the one on the cross. After the untitled sixth movement, whose narrative concentrates on a father with two sons, one of whom is dreaming about going into a city and living a life of earthly pleasures, the seventh movement begins with inhalations and exhalations of the choir and the menacing sounds of the tamburo militare. The following section narrates the tale of Jesus calming the storm on the sea, with a number of word painting devices — the sailing of the boat is depicted by a beautiful triplet accompaniment on the harp; the storm in agitated triplets in the accompaniment and whirling chromatic vocal lines, with mournful, melismatic writing on the word 'perish'. The Passion concludes with a light and serene Cantabile movement, with melodic writing moving mostly by tone and semitone, with no large leaps, and with a peaceful harp accompaniment throughout.
— from notes by Anastasia Belina-Johnson © 2016