Then the Rocks on the Mountain Began to Shout
for mixed choir (SSMezATBarB)
in stock
ships within 1-2 working days
Lukas Foss
Then the Rocks on the Mountain Began to Shout
for mixed choir (SSMezATBarB)

Lukas Foss
Then the Rocks on the Mountain Began to Shout

for mixed choir (SSMezATBarB)

  • Instrumentation Mixed Choir (SSSATBB)
  • Composer Lukas Foss
  • Edition Choral Score
  • Publisher Carl Fischer
  • Order no. CF-V2510
in stock
ships within 1-2 working days
  • Credit Card
  • Rechnung Invoice
  • PayPal
  • Sepa

Not available in all countries. Learn more

Description:

  • Language: English
  • Release: 01.04.2024
  • Genre: Classical Music, Classical Music of the Modern Age
  • ISBN: 9781491165546
  • EAN: 680160924547
“…then the rocks on the mountain began to shout.” —Charles Ives (Lukas Foss, V2510) As a composer, Lukas Foss (1922–2009) was fluent with a variety of different mediums, including works for orchestra, chamber ensembles, solo instruments and voices. He eagerly explored a wide variety of twentieth-century styles, including improvisation, electronic music, neoclassicism, twelve-tone techniques and minimalism. The latter style is especially evident in his work “…then the rocks on the mountain began to shout.” composed in 1977 for seven a cappella singers (2 sopranos, mezzo-soprano, alto, tenor, baritone and bass). The title of the work is derived from Charles Ives’ From the Steeples and the Mountains for brass and percussion, a work that Foss conducted in several instances. The piece features no text, but rather is composed with an ever-changing pattern of vowels, as well as solfege syllables, to contribute to subtle changes in vocal timbre. In a program note for the work, Foss noted: “In this composition, the chorus does not sing words, it vocalizes, with the many repeated notes set to vowels. A five-note chord dominates the work. It is endlessly repeated, varied, permutated, transposed and inverted. It invades the entire piece via persistent, pulsating, echoing and criss-crossing quarter notes. Only an explosion near the end liberates us from its domination.” This work is one of a series of new publications of Lukas Foss to be released by Carl Fischer Music, as a means of celebrating his works and achievements. These publications will be important means for promoting performances of his music as well as securing his legacy as a composer.