Sacred Music

This rich setting of the Latin Eucharistic hymn offers an expression of devotion through rich harmonies and a treble obbligato. A stunning work for capable mixed choirs from high school and up!

Lovely warm harmonies will fill your performance space in this short setting of the traditional Irish blessing with a few slight lyric alterations to provide a more enveloping framework for the listen...

Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are “Phyllis” and “Amar...

Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are “Phyllis” and “Amar...

This may the coolest piece to appear in years! With the a cappella trend showing no signs of stopping, this relaunch of a classic praise and worship hit is an innovative choral adaptation. Perfect for...

This ancient prayer carries the depth of the ages clothed in sounds of our current times. Jesse Beulke is a relative newcomer whose maturity in composition is evident. The melodic content is engaging...

There are many settings of The Lord's Prayer, but none more beautiful and true to the text than this one by Peter Anglea. Here, the text from St. Matthew is scored for unaccompanied mixed chorus with...

Fresh and innovative writing brings this African tune to choir lofts and joins it with a spiritually energizing 19th Century hymn text. This pleasing fusion brings the spirit of worship alive for Pent...

Fresh and innovative writing brings this African tune to choir lofts and joins it with a spiritually energizing 19th Century hymn text. This pleasing fusion brings the spirit of worship alive for Pent...

The power and spirit of the unadorned voice shines in this newly composed a cappella spiritual. Set in a classic call and response format, the song leaps from the page with vibrant confidence. A scrip...

The power and spirit of the unadorned voice shines in this newly composed a cappella spiritual. Set in a classic call and response format, the song leaps from the page with vibrant confidence. A scrip...

The opening section of Fauré's beloved Requiem could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged...

The opening section of Fauré's beloved Requiem could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged...

Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014, this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is...

Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014, this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

Two Little Pieces on Text by Dr. Watts sets two of Isaac Watts lesser known hymns, Come Dearest Lord, Descend and Dwell, and My God, How Endless Is Thy Love for unaccompanied SATB choir (keyboard acco...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...