Sacred Music

Alive with a good-natured gospel flair, this a cappella sizzler will awaken everyone to the joy of Easter. Arranged for success, the piece practically sings itself. The catchy theme is decorated with...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Here is a lovely setting of the 19th century William Bartholomew text that reflects on the new life that is born in the midst of winter, turning darkness into light and doing just that through music,...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

This beautiful a cappella arrangement of the Phos Hilaron prayer of light is written by the current Executive Director of the American Choral Directors Association, Tim Sharp. The piece is especially...

This set of three anthems are written in Hebrew for SAB a cappella voices. Nick Strimple wrote them for a friend's memorial service. A Hebrew pronunciation guide is provided as well as English transla...

Uses: General, Concert, Benediction Scripture: Romans 15:13 This final blessing for worship or concert usage is a delicate choral tapestry filled with tender beauty and exquisite sonic moments. The te...

Based on a Galliard by the Elizabethan composer Antony Holborne, this adaptation for voices includes a festive text that will be ideal for madrigal dinners, concerts and holiday programs.

Bring Elizabethan elegance and festive joy to your choral repertoire! With "Sing We With Gladness" (Festive Madrigal), published by Hal Leonard, you can transport your audience back to an era of music...

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty as well. Soft expressions of p...

Two Little Pieces on Text by Dr. Watts sets two of Isaac Watts lesser known hymns, Come Dearest Lord, Descend and Dwell, and My God, How Endless Is Thy Love for unaccompanied SATB choir (keyboard acco...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...