Sacred Music

Mack Wilberg's arrangement of 'Brother James's Air' has been recorded on the Mormon Tabernacle Choir's CD, Heavensong:Music of contemplation and light. The arrangement is stunning and can be performed...

A setting of the hymn Samanthra, this piece combines the original tune's simplicity with rich musical texture and majesty - the hallmarks of Wilberg's style. Orchestral material is available on hire/r...

This Easter anthem is a triumphant setting of words by Edmund Spenser and St John Damascene, featuring joyful choral parts, and ending with a new harmonization of the Easter hymn tune 'Ellacombe', wit...

This original hymn is touching and lyrical, with unison first and second verses blossoming into four-part writing in the third verse. It may be performed as either a congregational hymn (a congregatio...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

Uses Latin and English (Rite A) texts.

Opening out from a lyrical exchange between unison lower and upper voices, this anthem is based around a John Tauler poem rich in metaphorical language that reflects on the protagonist's relationship...

Chilcott has re-scored this serene anthem, originally for upper voices, for SAB, making it accessible to choirs with a limited number of male voices. A rich addition to the Choral Evensong repertory,...

for SATB and four-piece ensemble (flute, oboe, harp, organ). John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

for SATB and three-piece ensemble (oboe, harp, organ). Three-piece chamber ensemble accompaniment to Rutter's arrangement of Psalm 23. Pack includes full score and set of parts.

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

For SATB and optional organ.

A setting of words from Psalm 27 featuring a solo clarinet with various choral groupings. A clarinet part is included in the vocal score. Instrumental material is available on hire.

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

for SATB (with divisions) and piano. Setting a text by Elizabeth Craven, this anthem is a gentle and meditative expression of gratitude to God for the joys and challenges of life. With a flowing melod...

This deeply profound work combines a short form of the Latin Mass with Biblical passages that speak of peace. It features a prayerful Kyrie, energetic Gloria, contemplative Sanctus and Benedictus, and...

This anthem by Mack Wilberg is lyrical, sweeping, and full of rich harmonies. With a text by David Warner that includes the repeated phrase 'we thank thee, Lord', this piece is a gentle but stirring p...

This anthem by Mack Wilberg is lyrical, sweeping, and full of rich harmonies. With a text by David Warner that includes the repeated phrase 'we thank thee, Lord', this piece is a gentle but stirring p...

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra. Orchestral mate...

For SSAATTBB and optional organ

A fine antiphonal masterwork for today's mixed choirs. May be performed by one choir with any of the following performing the antiphonal choir part: a second choir, a small group of voices, brass or s...

This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice...