Sacred Music

Inhalt: 1. We praise Your Great Mercy, Oh Christ 2. Leaving the Wealth of her Family 3. Christ, the Power of Your Cross 4. Christina, the Martyr, Holding the Cross 5. Christ, the King of Glory 6. Wher...

for SATB (with divisions) unaccompanied

Chorpartitur - gemischter Chor (SATB)

Chorpartitur - gemischter Chor (SATB)

Chorpartitur - gemischter Chor (SATB)

Chorpartitur - gemischter Chor (SATB)

O the depth is a devotional work, suitable as an introit or short anthem, which couples together a passage from the New Testament (Romans 11) and a single verse from the Old Testament (Isaiah 55) whic...

Composer’s note Tantum Ergo should have a chant-like feel especially on the repeated pitches. Keep the tempo flexible to enable effective contrast in dynamics and a sustained sound throughout. The acc...

Composer’s note O sacrum convivium was written in 2007 - it is one of my earliest choral compositions. Olivier Messiaen’s setting had a profound impact on me as a young chorister. As John Cooper, the...

Composer’s note O sacrum convivium was written in 2007 - it is one of my earliest choral compositions. Olivier Messiaen’s setting had a profound impact on me as a young chorister. As John Cooper, the...

This little anthem for unaccompanied chorus was written as a tribute to Alexander Goehr on his 50th birthday. It sets a poem by Robert Bridges putting words into the mouth of the blind John Milton, pu...

Based on a traditional Alentejo carol from southern Portugal, this music of the Magnificat is gentle, soothing, and almost hypnotic. Each verse is treated differently, giving the solo voice and all th...

With music evoking fanfares and introspective feelings alike, this setting of Psalm 8 expresses praise for God and the honor of being human.

Hwayana yaMwari is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The tex...

James Biery's setting of the traditional 13th century Ave Maria text alternates between undulating motion and homophonic simplicity while hovering around a pedal-point G. Each of the two main sections...

This setting captures the narrative of this famous text using different colors to create a special affect for the listener.