Sheet Music for Concert Band
The diptych 'Estampes Simfoniques' (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn't because in this occasion th...
The diptych 'Estampes Simfoniques' (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn't because in this occasion th...
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The diptych 'Estampes Simfoniques' (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn't because in this occasion th...
The diptych 'Estampes Simfoniques' (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn't because in this occasion th...
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The diptych "Estampes Simfòniques" (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn"t because in this occasion th...
The diptych "Estampes Simfòniques" (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn"t because in this occasion th...
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The diptych "Estampes Simfòniques" (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn't because in this occasion th...
The diptych "Estampes Simfòniques" (Symphonic Images) by the Spanish (Catalan) composer Joaquim Serra (1907-1957) would not be a unique piece in its production if it wasn't because in this occasion th...
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Alejandro Garcia Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
Alejandro Garcia Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
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Alejandro Garcia Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
Alejandro Garcia Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
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Alejandro García Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
Alejandro García Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
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Alejandro García Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
Alejandro García Caturla (1906 - 1940) was a Cuban composer of art music and creolized Cuban themes. He was fascinated by creolized Afro-Cuban rhythms and these Creole themes were characteristic of hi...
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The opera buffa Così fan tutte (Thus do they all )is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don...
The opera buffa Così fan tutte (Thus do they all )is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don...
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The opera buffa Così fan tutte (Thus do they all )is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don...
The opera buffa Così fan tutte (Thus do they all )is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don...
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The opera buffa Così fan tutte (Thus do they all )is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don...
The opera buffa Così fan tutte (Thus do they all )is one of the three Mozart operas for which Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were Le nozze di Figaro and Don...
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- Bert Langeler
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Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...
Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...
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- Jos van de Braak
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Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...
Among Charles Gounod's compositions are several hundred sacred solo songs, including his 1852 setting of the Catholic hymn 'Ave Maria'. Forty years later, Gounod, a devoutly religious albeit also a de...
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- Jos van de Braak
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Maurice Ravel is perhaps known best for his orchestral work 'Bolero' (1928), which he considered trivial and once described as 'a piece for orchestra without music'. Bolero is a one-movement orchestra...
Maurice Ravel is perhaps known best for his orchestral work 'Bolero' (1928), which he considered trivial and once described as 'a piece for orchestra without music'. Bolero is a one-movement orchestra...
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Maurice Ravel is perhaps known best for his orchestral work 'Bolero' (1928), which he considered trivial and once described as 'a piece for orchestra without music'. Bolero is a one-movement orchestra...
Maurice Ravel is perhaps known best for his orchestral work 'Bolero' (1928), which he considered trivial and once described as 'a piece for orchestra without music'. Bolero is a one-movement orchestra...
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Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...
Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...
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Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...
Maurice Ravel is perhaps known best for his orchestral work Bolero (1928), which he considered trivial and once described as a piece for orchestra without music. Bolero is a one-movement orchestral pi...
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- Marco Tamanini
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Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...
Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...
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- Jos Dobbelstein
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Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...
Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...
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- Jos Dobbelstein
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Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...
Emmerich Kálmán (1882-1953) was a contemporary of Bartók and Kodály at the Budapest Academy of Music. He first coupled a career as a music critic with more conventionally serious composition, before,...
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- Jos Dobbelstein
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'Variations on an Original Theme for orchestra' (Enigma), Op. 36, commonly referred to as the 'Enigma Variations', is a set of a theme and its fourteen variations written for orchestra by Edward Elgar...
'Variations on an Original Theme for orchestra' (Enigma), Op. 36, commonly referred to as the 'Enigma Variations', is a set of a theme and its fourteen variations written for orchestra by Edward Elgar...
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'Variations on an Original Theme for orchestra' (Enigma), Op. 36, commonly referred to as the 'Enigma Variations', is a set of a theme and its fourteen variations written for orchestra by Edward Elgar...
'Variations on an Original Theme for orchestra' (Enigma), Op. 36, commonly referred to as the 'Enigma Variations', is a set of a theme and its fourteen variations written for orchestra by Edward Elgar...
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- Douglas McLain
- Baton Music
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immediately available
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Variations on an Original Theme for orchestra(Enigma), Op. 36, commonly referred to as the Enigma Variations, is a set of a theme and its fourteen variations written for orchestra by Edward Elgar in 1...
Variations on an Original Theme for orchestra(Enigma), Op. 36, commonly referred to as the Enigma Variations, is a set of a theme and its fourteen variations written for orchestra by Edward Elgar in 1...
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Wind orchestra sheet music
From polkas to overtures to party hits, we are recognised specialists in wind band literature with over 100,000 titles from all styles and publishers. Here you will find original compositions, adaptations and arrangements, with plenty of sample scores and audio samples for wind bands, brass bands, marching bands, fanfares and flexible instrumental line-ups, including soloists, vocalists and choirs.