Lorenzo Pusceddu
Concertino
for trombone (or euphonium)
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Lorenzo Pusceddu
Concertino
for trombone (or euphonium)
- Instrumentation Concert Band and Trombone
- Optional Instrumentation Concert Band and Euphonium
- Composer Lorenzo Pusceddu
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Difficulty Level
- Edition Score and Parts
- Publisher Scomegna Edizioni Musicali
- Order no. SCO-B1367-21
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Description:
A distinctive concertino, as it can be performed on either trombone or euphonium. The piece unfolds across three movements: from the opening Allegretto, with its constant interplay between soloist and orchestra, to the lyrical, songlike Andante, and finally the concluding Allegro moderato, edgy and brilliant.
This composition, which was commissioned by the Philharmonic Society of Verrés (Aosta) on the occasion of the 140th anniversary of the foundation, is dedicated to the trombonist of Verrés, Floriano Rosini. The composition, which can be performed either by the trombone or the euphonium, is structured in three movements: 1) Allegretto: Two themes alternate in a game of exchange between the soloist and the orchestra creating a serene and joking atmosphere. 2) Andante: The middle section of the piece calls for the lyricism and the singing quality of the solo instrument but always highlights the dialogue with the orchestra. 3) Allegro moderato: The finale of the Concertino has a nervous and bright character, and is once again focused on the interchange between soloist and orchestra.
This composition, which was commissioned by the Philharmonic Society of Verrés (Aosta) on the occasion of the 140th anniversary of the foundation, is dedicated to the trombonist of Verrés, Floriano Rosini. The composition, which can be performed either by the trombone or the euphonium, is structured in three movements: 1) Allegretto: Two themes alternate in a game of exchange between the soloist and the orchestra creating a serene and joking atmosphere. 2) Andante: The middle section of the piece calls for the lyricism and the singing quality of the solo instrument but always highlights the dialogue with the orchestra. 3) Allegro moderato: The finale of the Concertino has a nervous and bright character, and is once again focused on the interchange between soloist and orchestra.