Carola Häggkvist
Himlen i min famn
Heaven in My Arms
Carola Häggkvist
Himlen i min famn
Heaven in My Arms
- Instrumentation Concert Band
- Edition Score and Parts
-
Difficulty Level
- Composer Carola Häggkvist
- Editor Reid Gilje
- Publisher Norsk Noteservice
- Series Norsk Concert Band Christmas
- Order no. WN261723268
incl. tax,
excl. shipping costs
Description:
Heaven in My Arms is a beautiful melody by Carola Häggkvist with lyrics by Erik Hillestad.
This version is without vocal soloist so the melody is spread into many parts throughout the arrangement.
(There are cue notes for oboe and bassoon, where they have soloistic elements.)
To the conductor:
Strive for good flow and phrasing. Feel free to be a bit creative with the phrasing. It invites for two-bar phrases in the melody, but perhaps 2/2/4 could also work nicely.
Balance is very important. Often there is both melody and obligato/countermelody in addition to harmonic elements. Let each of them have their own layer in the balance.
Staccato effects in clarinets and marimba are intended as pizzicato effects and must be phrased. Not too static.
The tutti section at 72 can be energetic with intense lines. Maybe a little più mosso as well. Think big and orchestral with good resonance and timbre.
- Reid Gilje -
This version is without vocal soloist so the melody is spread into many parts throughout the arrangement.
(There are cue notes for oboe and bassoon, where they have soloistic elements.)
To the conductor:
Strive for good flow and phrasing. Feel free to be a bit creative with the phrasing. It invites for two-bar phrases in the melody, but perhaps 2/2/4 could also work nicely.
Balance is very important. Often there is both melody and obligato/countermelody in addition to harmonic elements. Let each of them have their own layer in the balance.
Staccato effects in clarinets and marimba are intended as pizzicato effects and must be phrased. Not too static.
The tutti section at 72 can be energetic with intense lines. Maybe a little più mosso as well. Think big and orchestral with good resonance and timbre.
- Reid Gilje -
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