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Marches for Concert Band

Richard Strauss
dedicated to the 'Wilde Gungl' Orchestra München

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

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Order no.: BTM1279
Richard Strauss
dedicated to the 'Wilde Gungl' Orchestra München

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

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Richard Strauss
dedicated to the 'Wilde Gungl' Orchestra München

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

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Order no.: BTM1279SC
Richard Strauss
dedicated to the 'Wilde Gungl' Orchestra München

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...

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Hector Berlioz
Symphonie Fantastique

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

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Hector Berlioz
Symphonie Fantastique

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

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Hector Berlioz
from The Opera La Damnation de Faust

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

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Hector Berlioz
from The Opera La Damnation de Faust

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

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Felix Mendelssohn Bartholdy

Felix Mendelssohn composed the Marsch in D major opus 108 to celebrate a visit of the painter Cornelius to the city of Dresden in april 1841. (Concert Band)

Felix Mendelssohn composed the Marsch in D major opus 108 to celebrate a visit of the painter Cornelius to the city of Dresden in april 1841. (Concert Band)

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Felix Mendelssohn Bartholdy

Felix Mendelssohn composed the Marsch in D major opus 108 to celebrate a visit of the painter Cornelius to the city of Dresden in april 1841. (Concert Band)

Felix Mendelssohn composed the Marsch in D major opus 108 to celebrate a visit of the painter Cornelius to the city of Dresden in april 1841. (Concert Band)

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Giordano began composition of his best known opera, Andrea Chenier, in 1894. The libretto had been written by Luigi Illica for Alberto Franchetti, and Franchetti gave the libretto to Giordano. Andrea...

Giordano began composition of his best known opera, Andrea Chenier, in 1894. The libretto had been written by Luigi Illica for Alberto Franchetti, and Franchetti gave the libretto to Giordano. Andrea...

  • Concert Band (Vocal Solo (Medium Voice))
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  • Anton Haeck
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Order no.: BTM157

Giordano began composition of his best known opera, Andrea Chenier, in 1894. The libretto had been written by Luigi Illica for Alberto Franchetti, and Franchetti gave the libretto to Giordano. Andrea...

Giordano began composition of his best known opera, Andrea Chenier, in 1894. The libretto had been written by Luigi Illica for Alberto Franchetti, and Franchetti gave the libretto to Giordano. Andrea...

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  • Anton Haeck
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Carl Maria von Weber

On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...

On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...

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Order no.: BTM163
Carl Maria von Weber

On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...

On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...

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Peter Iljitsch Tschaikowsky
4. Finale

The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...

The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...

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Order no.: BTM197-DL
Peter Iljitsch Tschaikowsky
4. Finale

The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...

The fourth movement (Finale) of Pyotr Ilych Tschaikowsky's fifth symphony, beginning and ending as a triumphal march, might be thought to represent the victory of the will, since the fate theme of the...

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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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  • Roger Niese
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Order no.: BTM221

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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Peter Iljitsch Tschaikowsky

Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...

Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...

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Order no.: BTM231-DL
Peter Iljitsch Tschaikowsky

Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...

Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...

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Edvard Grieg
Troldtog From The Lyric Suite

This movement from Edvard Grieg's Lyric Suite is very suitable for an intermezzo or as a final in your concert program. But as an encore the March of the Dwarfs will absolutely charm your audience! Th...

This movement from Edvard Grieg's Lyric Suite is very suitable for an intermezzo or as a final in your concert program. But as an encore the March of the Dwarfs will absolutely charm your audience! Th...

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  • Jacques Dubois
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Order no.: BTM243-DL

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

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Order no.: BTM244

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

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Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)

Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)

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  • Marco Tamanini
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Order no.: BTM245-DL