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Volume 18 - Sez. Prima - Partitura in 2 Vol. e Commento Critico / Ed. Critica Gossett, Scipioni
Volume 18 - Sez. Prima - Partitura in 2 Vol. e Commento Critico / Ed. Critica Gossett, Scipioni
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Beethoven wrote a total of four overtures for his only opera, 'Leonore'/ 'Fidelio'. The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a perf...
Beethoven wrote a total of four overtures for his only opera, 'Leonore'/ 'Fidelio'. The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a perf...
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Beethoven wrote a total of four overtures for his only opera, 'Leonore'/ 'Fidelio'. The so-called Leonore Overture no. 2 is first in the series by chronology and was written in 1805 for the premiere o...
Beethoven wrote a total of four overtures for his only opera, 'Leonore'/ 'Fidelio'. The so-called Leonore Overture no. 2 is first in the series by chronology and was written in 1805 for the premiere o...
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For his only opera Leonore/Fidelio, Beethoven wrote four overtures in total. Chronologically, the so-called Leonore Overture no. 3 is the second of the series and perhaps the most performed of all Bee...
For his only opera Leonore/Fidelio, Beethoven wrote four overtures in total. Chronologically, the so-called Leonore Overture no. 3 is the second of the series and perhaps the most performed of all Bee...
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Premiering on May 22, 1813 at the Teatro San Benedetto in Venice, L'italiana in Algeri by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vicenza, Milan, and Naples. It wa...
Premiering on May 22, 1813 at the Teatro San Benedetto in Venice, L'italiana in Algeri by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vicenza, Milan, and Naples. It wa...
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
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While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
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AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
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AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
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AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
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Italian for rustic chivalry, this opera in one act with music by Pietro Mascagni and a libretto by Giovanni Targioni-Tozzetti and Guido Menasci, is adapted from a short story and play by Giovanni Verg...
Italian for rustic chivalry, this opera in one act with music by Pietro Mascagni and a libretto by Giovanni Targioni-Tozzetti and Guido Menasci, is adapted from a short story and play by Giovanni Verg...
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Italian for 'rustic chivalry,' this opera in one act with music by Pietro Mascagni and a libretto by Giovanni Targioni-Tozzetti and Guido Menasci, is adapted from a short story and play by Giovanni Ve...
Italian for 'rustic chivalry,' this opera in one act with music by Pietro Mascagni and a libretto by Giovanni Targioni-Tozzetti and Guido Menasci, is adapted from a short story and play by Giovanni Ve...
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The tragic two-act opera, Anna Bolena, recounts the life of King Henry VIII's second wife, Anne Boleyn, and is one of four Gaetano Donizetti (1797-1848) operas depicting the Tudor period in English hi...
The tragic two-act opera, Anna Bolena, recounts the life of King Henry VIII's second wife, Anne Boleyn, and is one of four Gaetano Donizetti (1797-1848) operas depicting the Tudor period in English hi...
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