Ensemble

This work has been written in 1989, first for wind band and later for brass band. After a short Introduction follows the Rondo with changing meters. The strong rhythm plays an important role in that p...

This work has been written in 1989, first for wind band and later for brass band. After a short Introduction follows the Rondo with changing meters. The strong rhythm plays an important role in that p...

Cette petite symphonie en trois mouvements laisse la part belle aux instruments solistes. They become almost the personnages of this piece of theÔtre saugrenue. Each of them expresses his own characte...

Cette petite symphonie en trois mouvements laisse la part belle aux instruments solistes. They become almost the personnages of this piece of theater saugrenue. Each of them expresses his own characte...

Anthony Plog's music has easily recognizable stylistic characteristics featuring repeated chromatic sequences interwoven contrapuntally over breathtakingly intense rhythmical variations, with slow, qu...

Anthony Plog's music has easily recognizable stylistic characteristics featuring repeated chromatic sequences interwoven contrapuntally over breathtakingly intense rhythmical variations, with slow, qu...

The March Vers Saint Pierre [towards St. Peter] reflects the festive and brilliant tradition of the march genre. The first part, in minor, offers an elegant and energetic theme, while the second part,...

The March Vers Saint Pierre [towards St. Peter] reflects the festive and brilliant tradition of the march genre. The first part, in minor, offers an elegant and energetic theme, while the second part,...

The March Vers Saint Pierre [towards St. Peter] reflects the festive and brilliant tradition of the march genre. The first part, in minor, offers an elegant and energetic theme, while the second part,...

The March Vers Saint Pierre [towards St. Peter] reflects the festive and brilliant tradition of the march genre. The first part, in minor, offers an elegant and energetic theme, while the second part,...

Jean-François Michel wrote these three sketches in the style of three of the most typical South-American dances: the traditional samba, the bossa-nova (with its cool jazz flavor), both of Brazilian or...

Jean-François Michel wrote these three sketches in the style of three of the most typical South-American dances: the traditional samba, the bossa-nova (with its cool jazz flavor), both of Brazilian or...

Jean-François Michel wrote these three sketches in the style of three of the most typical South-American dances: the traditional samba, the bossa-nova (with its cool jazz flavor), both of Brazilian or...

Jean-François Michel wrote these three sketches in the style of three of the most typical South-American dances: the traditional samba, the bossa-nova (with its cool jazz flavor), both of Brazilian or...

Only a few short years ago, jazz and classical music were considered separate and mutually exclusive worlds. No musician, it was believed, could operate in both. But in the last 2 decades, a new breed...

Only a few short years ago, jazz and classical music were considered separate and mutually exclusive worlds. No musician, it was believed, could operate in both. But in the last 2 decades, a new breed...

Only a few short years ago, jazz and classical music were considered separate and mutually exclusive worlds. No musician, it was believed, could operate in both. But in the last 2 decades, a new breed...

Only a few short years ago, jazz and classical music were considered separate and mutually exclusive worlds. No musician, it was believed, could operate in both. But in the last 2 decades, a new breed...

Aus der Reihe 'Bernaerts Light Pieces'.

Hand In Hand (music for the Olympic games)

Aus der Reihe 'Bernaerts Light Pieces'.

Aus der Reihe 'Bernaerts Light Pieces'.

Aus der Reihe 'Bernaerts Light Pieces'.