Ensemble

A duo that is completely in the tradition of competitive concertante playing culture, which also does not fail to have its effect as a recital piece.

Contemporaries praised Schwindl's excellently composed violin works, which were intended for effect. They are not difficult, although their 'spirit tends towards sweet melancholy', and are therefore a...

Albrechtsberger's preference for contrapuntal work is also evident in this duo. The piece lives entirely from the imitative development of the motives.

Source: André, 1855 and Litolff, 1891 (A. Schulz and J. Klingenberg).

Instrumentation: Alexander Uber.

The splendid, not too heavy duets offer a fine example of the technical sophistication that Pichl demanded of the instruments, which in his time served the 'bass line' and were not very demanding.

These highly dramatic jewels of quartet art offer everything that makes a musician's heart beat faster in terms of ingratiating melodicism, the finest counterpoint and magnificent sound effects.

These highly dramatic jewels of quartet art offer everything that makes a musician's heart beat faster in terms of ingratiating melodicism, the finest counterpoint and magnificent sound effects.