Ensemble

One of Marcello's best-known and oft-performed works, this early 18th century work was actually an arrangement of his brother Alessandro's D minor oboe concerto. The three-movement work was hailed by...

This arrangement from the pen of Alfred Reed is a welcome addition to any school or community orchestra's repertoire. This setting is strong, straightforward and makes an ideal opener or closer for an...

This arrangement from the pen of Alfred Reed is a welcome addition to any school or community orchestra's repertoire. This setting is strong, straightforward and makes an ideal opener or closer for an...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Like many of his works, Leroy Anderson (1908-1975) wrote Fiddle-Faddle on a commission from Arthur Fiedler of the Boston Pops Orchestra in 1947. Originally written for string orchestra, the title of t...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

The String Sextet in D minor, Op. 70, is scored for 2 violins, 2 violas, and 2 cellos, was composed in the summer of 1890. Tchaikovsky dedicated the work to the St. Petersburg Chamber Music Society in...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Jean Sibelius (1865-1957) clearly enjoyed writing the six humoresques for violin and orchestra in 1916-1917. They were not performed until 24th November 1919 together with the first performance of the...

Concerto Grosso No. 1 was the first of two concerti grossi by Swiss-American composer Ernest Bloch (1880-1959), who wrote the piece in response to his students' assertion that such traditional styles...

Concerto Grosso No. 1 was the first of two concerti grossi by Swiss-American composer Ernest Bloch (1880-1959), who wrote the piece in response to his students' assertion that such traditional styles...

Claude Debussy once described the music of Peter Warlock (1894-1930) as encompassing a "fine dreamy musicality." CAPRIOL SUITE, one of his most popular works, is a dance suite based on Orchésographie,...

Claude Debussy once described the music of Peter Warlock (1894-1930) as encompassing a "fine dreamy musicality." CAPRIOL SUITE, one of his most popular works, is a dance suite based on Orchésographie,...

Short descriptive piece for String Orchestra from 2007 by Tim Knight. Useful for beginner string orchestras or as a concert filler.

This piece (along with the Concerto for Oboe and String Orchestra) was actually written in about 1995, but hasn't ever been released as a publication... until now! The piece consists of three movement...

This piece (along with the Concerto for Clarinet and String Orchestra) was actually written in about 1995, but hasn't ever been released as a publication... until now! The piece consists of three move...

Stillness was composed during lockdown (2020), it is a reflective piece well within the capabilities of a String Orchestra of Grade 5 standard. Parts are available by email request to mail@timknightmu...