Ensemble

Instruments: String Quartet: 2 Violins 1 Alto 1 Cello - Difficuly Level: Grade 3 - Duration: 2 mn 00 - Musical Style: Classical - Category: Arrangement - Composer: Franz SCHUBERT - Arranger: Eric VIRE...

This is a unique arrangement for string quartet, a work that preserves the beauty of the original work, an icon for sacred music, but at the same time different in essence due to the creative and inno...

Zeitgenössische Bearbeitung für Streichquartett von Peter Lichtenthal (1780-1853), Erstausgabe. Für den Mailänder Arzt und Komponisten Lichtenthal war die Musik Mozarts das Mass der Dinge. Um den ital...

Although the string quartet was a rarely used form in 19th-century Russia, Tchaikovsky and Borodin both produced superb, inventive compositions in the genre. This volume collects Tchaikovsky's String...

It is hard to believe that Benjamin Britten was 16 when he wrote the Quartettino, such is the skill and intellectual command. Peter Stadlen, The Daily Telegraph, 25 May 1983

Benjamin Britten wrote his 'String Quartet in F' in April 1928, shortly after he began lessons with Frank Bridge. He was fourteen at the time and it is thought that this piece was set as a homework ex...

Arranged for String Orchestra (3-2-2-2-2) by John Krance.

Three atmospheric Wintry pieces. One of the most prolific British composers of the 20th century, William Alwyn (1905-85) produced almost three hundred compositions in most genres: opera, ballet, orche...

Duo Nr. 1 C-Dur 1. Allegro moderato maestoso 2. Rondo. Andantino Duo Nr. 2 D-Dur 1. Allegro moderato 2. Rondo. Allegro Duo Nr. 3 G-Dur 1. Allegro molto 2. Rondo (Allegro)

Duo Nr. 4 c-moll 1. Allegro 2. Andante 3. Allegro. Thema mit 5 Variationen Duo Nr. 5 A-Durr 1. Allegro 2. Andante 3. Allegro Duo Nr. 6 F-Dur 1. Allegro 2. Rondo

1. Allegro non tanto 2. Andante 3. Allegro vivace

Das Scherzo hat der Komponist später in seinem Divertimento für Fagottquartett wieder verwendet.

In op. 47, which enriches the literature with two cellos, Scholz achieves a passion and warmth of expression, a 'higher peculiarity of reflection on the essential' that should make music makers sit up...

First Edition

First Edition