Ensemble

Harald Genzmer has done a great deal for the promotion of young musical talent, and no doubt many a string instrument player can recall from their school orchestra days when his Sinfonietta was on the...

Viel hat Harald Genzmer für die musikalische Nachwuchsarbeit getan und so mancher Streicher wird sich an Schulorchesterzeiten erinnern, in denen die Sinfonietta des öfteren auf dem Programm stand. Doc...

This is an important new collection for string educators--excellent material for ensemble drill and warm-up. Rhythm Sessions is scored for string orchestra with an optional third violin substitute par...

Back in print, this fantastic arrangement of this classic piece is perfect for a young string orchestra, yet still retains the feel of the original! An unusual format provides flexibility with parts f...

Leroy Anderson created some of America's best loved music, especially during his tenure with the Boston Pops Orchestra. Here is a very easy arrangement of his beloved The Syncopated Clock written by B...

What a treat to have the famous Bugler's Holiday for Trumpet Trio and Orchestra arranged for three violins and strings! A fabulous setting of a Leroy Anderson classic and a great way to feature the vi...

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A totally charming piece from the master of light classical music! Written during the period when Anderson's music was composed for and introduced by The Boston Pops Orchestra, it continues to maintai...

What fun! With typical tongue-in-cheek humor, these two short and easy pieces will become an adorable addition to the school repertoire. Presented here as a two movement piece, the first tune passes t...

What fun! With typical tongue-in-cheek humor, these two short and easy pieces will become an adorable addition to the school repertoire. Presented here as a two-movement piece, the first tune passes t...

Like many of his works, Leroy Anderson (1908-1975) wrote Fiddle-Faddle on a commission from Arthur Fiedler of the Boston Pops Orchestra in 1947. Originally written for string orchestra, the title of t...

This energetic and interesting composition uses the C major/A minor fingering patterns and provides great practice in subdivision. It is a fun one to play and includes a solo/section violin feature an...

Think snow! Here's a great winter concert tune when you are looking for something new! The melody comes from a Hungarian folk song. All sections play the melody! (2:10)

This original work in E minor is delightfully set to allow each section to play the melodies and includes a solo section. Ending with the softness of moonlight, this one will develop ensemble performa...

A bright, sparkling setting of 'O, Come Little Children,' arranged by Michael Kamuf, that will delight audiences and players; this arrangement will become a classic. Includes optional sleigh bells. (1...

Perfect for concerts and festivals, 'Dayspring' by Michael Kamuf is an ideal piece for reinforcing both dotted-quarter/eighth note and syncopation rhythms with your beginning string orchestra. In this...

A stunning lyrical work, this is the perfect selection to introduce expressive playing to your beginning string students. All students have an opportunity to play melodic material in this harmonically...

L'improviste Vignette is a bold and energetic work for young string orchestra by composer and educator Michael Kamuf. The interesting melodic and accompaniment passages will keep all players engaged....

Chasing Shadows by Michael Kamuf features soaring melodies, driving rhythms, and bold harmonies which work together to create cinematic overtones. The use of syncopated rhythms throughout will help re...

The Courage Within, by Michael Kamuf, employs changing textures, driving rhythms, and heroic themes that convey a sense of determination and perseverance. The work creates an opportunity to support an...

The excitement and exhilaration of the first moments of flight are brought to life for beginning strings by composer Michael Kamuf. Climbing Above the Clouds is in D major, allows for all parts to hav...

Students will learn cut time, rhythmic accuracy, how to achieve clean staccato technique, musical form, and an idea of classical style in this engaging piece. Just plain fun to play! (1:55)