Ensemble

2 Piccolos/2 Flutes/2 Clarinets/2 Bassoons/2 Soprano Saxophones/2 Alto Saxophones/2 Tenor Saxophones/2 Trumpets or Cornets/2 Trombones/2 Euphoniums/2 Violoncellos/Flute & Oboe/Flute & Bassoon/Clarinet...

This free-wheeling spin will have everyone tapping their toes and groovin' along with the band. The terrific interweaving lines between the sections sound very cool but are still very playable. Drew Z...

Reminiscent of a patriotic Kenton arrangement, this chart is great to use for your spring concert. Also ideal to change the pace of your standard jazz repertoire. Great sounds!

Bring back the Maynard Ferguson sound with this fast jazz/rock Pendowski original. Mike has provided an optional additional trumpet part to feature a guest soloist or to use with your own resident scr...

What a terrific way to teach the laid back ballad style of Neal Hefti's 'Li'l Darlin'!' The rhythm section has a brief soli section in the Shearing style, and you are encouraged to add vibe, if you ha...

Bob Curnow has arranged one of Shorty Rogers' hippest tunes. The melody is stated by Alto and Trumpet, and the whole chart has that wonderful 'West Coast' Feel to it. There is a neat section which fea...

As recorded on Shorty's CD Blues Express, this is a wonderful West Coast chart which features unison saxophone son the melody, solo space for alto sax, trumpet, trombone and a short solo for bass. Sho...

2 Flh, 1 Pos, 3 Sax (ATB) + Rhythm

2 Flh, 1 Pos, 3 Sax (ATB) + Rhythm

Big Band (5/3/3/4) Williams wrote Camel Hop and Roll 'Em for Benny Goodman while she was still with Andy Kirk's band, and in late 1946, Williams started writing for him again. At the time, he had his...

Richards wrote this piece some years after writing the Cuban Fire Suite, but it is written very much in that vein (although it is much easier to play). It is a dynamic, energetic 6/8 Latin excursion w...