Ensemble

Recorded on the Vic Lewis West Coast All-Stars play the music of Bill Holman (MOLE JAZZ CD 14) by an exciting lineup of L.A.'s best, Sizzler is an up-tempo, straight-ahead jazz chart with solo space f...

Absolutely one of the all-time great big band charts! Tenor sax, drums and trumpet solos, interspersed with fabulous ensemble writing. Latin to the hilt! As recorded on the 'Live at Brigham Young Univ...

Bill Holman's compositions in the library of the Stan Kenton Orchestra were some of the most exciting pieces ever conceived for jazz orchestra. This is an up- tempo romp through the blues ... major an...

This is a new edition (Finale computer notation) of the original arrangement, edited to be played with the following instrumentation: 2 altos, 2 tenors, baritone saxophone, 5 trumpets, 5 trombones, pi...

This screamin' arrangement features a blending of an eight-to-the-bar boogie woogie and Rumba in a classic big band setting. The saxes take the melody with some gritty plunger work in the brass to rea...

A re-scoring of a Kenton original (richer harmony, better key). Soft flugel opening building to a tremendous climax. Can be programmed at any community or school event. JUST RECORDED BY THE WONDERFUL...

A high-energy, quick-paced jazz piece featuring a trio of trumpet, alto and tenor with optional solos on each part. A contrasting Brass Chorale section adds a great dimension to this piece and beautif...

In celebration of Sierra Music Publications' 45th anniversary, Bob Curnow has created a memorable new chart: The Eighth Miracle! Based on a traditional Bulgarian folk song, this extensive work (in the...

As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is a lovely, easy-flowing piece that moves from a ballad (lullaby) to a waltz (featuring trombone and alto saxophone) and...

Bob has created an absolutely thrilling 12 minute work, inspired by his Celtic roots (Towednack is a small area in Cornwall, England). The Celtic influence is heard in the triple-meter settings and th...

A brand-new extended blues, commissioned by the Pennsylvania IAJE state unit for their All-State Jazz Ensemble (which Bob conducted). It features a 4-horn front line of alto, tenor, trumpet and trombo...

Curnow has created two easy-to-play charts on commission from the University of Portland. This chart features a melody and a style similar to the West Coast Jazz approach to things. Line for Lyons cam...

Curnow has created two easy-to-play charts on commission from the University of Portland. This chart features a melody reminiscent of the Lester Leaps In tune, but has very reasonable ranges and rhyth...

This piece is patterned after Stan Kenton's Dynaflow, but it is written in such a way that it is quite easy to play. There is room for alto sax, piano and bass solos. Big sounds without killing chops!...

There have been SO many requests for the ORIGINAL arrangement as recorded by the Stan Kenton Orchestra, that Curnow has made it available for the first time. Here is the national anthem, as recorded b...

Latin spice, hot sounds, and a happy, cookin' tune that sails along. Everyone gets in on the action. There is solo space for alto sax and trumpet. The mini-fugue in the middle launches yet another roa...

Take your group to the next level with this innovative chart that alternates between a hard swing and an Afro-Cuban abakuss. Featuring trombone and tenor, this chart has it all?ùsection features, opti...

The second and more difficult of the two 'Sassy's'. This one mirrors Thad's original in form and style. Slightly richer voicings than SCM-1001 but not an overly high lead trumpet part.

This is the third part of Thad's 'Suite for Pops'. This movement reflects the joyous retreat associated with funerals typical in New Orleans. Hard Driving Shuffle.

Re-scored a fourth lower to F containing all of the skillfully penned structure written for the Count Basie band by Frank Foster in the early 60's.

This tune is based on the changes to 'I'm Getting Sentimental Over You' but at a medium swing tempo.

Diese Nummer beginnt mit einer langsamen Unisonomelodie in den Saxofonen, die zu einer Reprise des Hauptthemas im ganzen Register führt. Ein Wechsel zur 'Double Time' führt dann zu den Tenorsaxofon- u...

This chart is full of ensemble energy all the way through. Plenty of excitement with kickin' backgrounds, drum solo and a strong ending your students will love. Solo sections are over two chord change...

This chart provides a ton of interest from the opening 'hymn' to the full blown ensemble with drum solos mixed throughout. The dramatic sound of the ensemble acapella-style adds unique contrast which...

This 6/8 jazz groove is reiniscent of 'A Walk on the Wild Side' which Mike arranged while he was staff arranger for the 3rd Army Band in Atlanta, GA. This Bb minor blues has a touch of Charles Mingus...