Ensemble

HOLOUBEK (THE WILD DOVE), Op. 110/B. 198, is an orchestra poem composed by Antonín Dvorák (1841-1904) in 1896. Revised in January of the next year, it tells the story of a woman who poisons her husban...

HOLOUBEK (THE WILD DOVE), Op. 110/B. 198, is an orchestra poem composed by Antonín Dvorák (1841-1904) in 1896. Revised in January of the next year, it tells the story of a woman who poisons her husban...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...

Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms' most popular works today, and they were the most profitable f...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...

The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on...

This timeless setting for orchestra is part of Kalmus Music's Arthur Harris Christmas Series, several of which offer the option to add chorus.

Written by James Lord Pierpont (1822-1893) in 1850 and published in 1857 under the original title "The One Horse Open Sleigh," Jingle Bells has since become one of the most popular and well-known Amer...

Written by James Lord Pierpont (1822-1893) in 1850 and published in 1857 under the original title "The One Horse Open Sleigh," Jingle Bells has since become one of the most popular and well-known Amer...

Written by James Lord Pierpont (1822-1893) in 1850 and published in 1857 under the original title "The One Horse Open Sleigh," Jingle Bells has since become one of the most popular and well-known Amer...

The text to the well-known Christmas carol O Little Town of Bethlehem comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, a...

The text to the well-known Christmas carol O Little Town of Bethlehem comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, a...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

The MAURERISCHE TRAUERMUSIK (MASONIC FUNERAL MUSIC) in C minor, K. 477/K. 479a by Wolfgang Amadeus Mozart (1756 - 1791) was composed in 1785 as a member of the Freemasons. It was performed during a Ma...

The MAURERISCHE TRAUERMUSIK (MASONIC FUNERAL MUSIC) in C minor, K. 477/K. 479a by Wolfgang Amadeus Mozart (1756 - 1791) was composed in 1785 as a member of the Freemasons. It was performed during a Ma...

Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...

Montage was composed by Donald O. Johnston (b. 1929) in 1989. Divided into two sections, an Introduction presents the materials that are to be developed in the Fugue that follows. Instrumentation: 2.2...

Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...

Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symboli...

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünf...

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünf...