Ensemble

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Original cadenzas in EB 5940 36 cadenzas to own piano concertos

If 'several music lovers and music directors consider this mass to be genuine and well Mozartian' (original statement Ludwig Ritter von Köchel), we want to do the same with good reason. '

Mendelssohn composed his concert piece op. 113 on a (single) December day in 1832 for the clarinetist friends Heinrich and Carl Baermann with the humorous subtitle 'Ein großes Duett für Dampfnudel ode...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

The new edition is based on the autograph and contemporary voice material as authentic sources.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

In the case of the 1st Symphony, Clive Brown provides the optimal balance of source criticism and practical relevance.

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...