Ensemble

The second movement of Mahler's 'Songs of the Wayfarer' was originally scored for voice and piano. The second and most-musical movement, has been set for symphonic band without a vocal soloist, howeve...

Characterized with sweeping melodies driving dynamic rhythms interrupted with peaceful serene passages built upon charismatic melodies this musical tribute will not soon be forgotten. Dedicated to Gen...

Characterized with sweeping melodies driving dynamic rhythms interrupted with peaceful serene passages built upon charismatic melodies this musical tribute will not soon be forgotten. Dedicated to Gen...

Characterized with sweeping melodies driving dynamic rhythms interrupted with peaceful serene passages built upon charismatic melodies this musical tribute will not soon be forgotten. Dedicated to Gen...

Characterized with sweeping melodies driving dynamic rhythms interrupted with peaceful serene passages built upon charismatic melodies this musical tribute will not soon be forgotten. Dedicated to Gen...

This piece for symphonic band by Jerry Brubaker is a musical excursion into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour tr...

This piece for symphonic band by Jerry Brubaker is a musical excursion into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour tr...

Borrowing melodic material from 'Tea for Two,' Dmitri Shostakovich's Tahiti Trott explores the familiar tune in a variety of settings based upon the characteristic fox trot form. Published originally...

Borrowing melodic material from 'Tea for Two,' Dmitri Shostakovich's Tahiti Trott explores the familiar tune in a variety of settings based upon the characteristic fox trot form. Published originally...

Borrowing melodic material from 'Tea for Two,' Dmitri Shostakovich's Tahiti Trott explores the familiar tune in a variety of settings based upon the characteristic fox trot form. Published originally...

Borrowing melodic material from 'Tea for Two,' Dmitri Shostakovich's Tahiti Trott explores the familiar tune in a variety of settings based upon the characteristic fox trot form. Published originally...

This first-ever transcription of the opening 'march' takes the listener to the hustle and bustle of London's west-end shopping district. Dubbed the 'uncrowned king of light music,' Coates' instantly r...

Toccata and Fugue in D minor, BWV 565 (DH9802) and Fantasia and Fugue in C minor, BWV 537 (DH9701).

The fourth movement of Leroy Anderson's Irish Suite, which was drawn from familiar Irish folk tunes when created in 1947, The Wearing of the Green was never before transcribed for concert band has bee...

The fourth movement of Leroy Anderson's Irish Suite, which was drawn from familiar Irish folk tunes when created in 1947, The Wearing of the Green was never before transcribed for concert band has bee...

The fourth movement of Leroy Anderson's Irish Suite, which was drawn from familiar Irish folk tunes when created in 1947, The Wearing of the Green was never before transcribed for concert band has bee...

The fourth movement of Leroy Anderson's Irish Suite, which was drawn from familiar Irish folk tunes when created in 1947, The Wearing of the Green was never before transcribed for concert band has bee...

Re-released this year, this Leroy Anderson classic work typifies his musical genius. Freshly engraved with a full score for the first time, Anderson's own arrangement of the third movement from his Ir...

Re-released this year, this Leroy Anderson classic work typifies his musical genius. Freshly engraved with a full score for the first time, Anderson's own arrangement of the third movement from his Ir...

Re-released this year, this Leroy Anderson classic work typifies his musical genius. Freshly engraved with a full score for the first time, Anderson's own arrangement of the third movement from his Ir...

Re-released this year, this Leroy Anderson classic work typifies his musical genius. Freshly engraved with a full score for the first time, Anderson's own arrangement of the third movement from his Ir...

Rampage! is a relentless, aggressive work that requires wind players and percussionists alike to play with both a great deal of force and finesse. Strong statements in the brass, the interwoven woodwi...

Rampage! is a relentless, aggressive work that requires wind players and percussionists alike to play with both a great deal of force and finesse. Strong statements in the brass, the interwoven woodwi...

Rampage! is a relentless, aggressive work that requires wind players and percussionists alike to play with both a great deal of force and finesse. Strong statements in the brass, the interwoven woodwi...

Rampage! is a relentless, aggressive work that requires wind players and percussionists alike to play with both a great deal of force and finesse. Strong statements in the brass, the interwoven woodwi...