Sheet Music for Mixed Ensemble

The series 'organ plus one' is particularly appealing for non-professional church musicians and instrumentalists. The pieces can be easily tackled and are ideal for use in church services, musical eve...

The series 'organ plus one' contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements. The editions include solo parts in C, Bb, Eb and F, which can...

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

Tango Argentino meets Classic! The Argentine composer Martín Palmeri, whose Misatango is beloved by many choirs, has set Psalm 127 Nisi Dominus for solo soprano and mixed choir, accompanied by bandone...

Bach's well-known church cantata 'Schwingt freudig euch empor' BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be...

Bach's well-known church cantata "Schwingt freudig euch empor" BWV 36, which was first heard in its final version on 1 Advent 1731 in Leipzig's Nikolaikirche, goes back to a secular birthday cantata f...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

The text of the choral cantata, first performed on December 26, 1724, is based on Luther's translation of the early Christian hymn A solis ortus cardinem. The six-movement work contains two arias for...

For his cantata BWV 152, Bach chose an unusually chamber-musical instrumentation that still has a very colorful and lively effect today: The two solo singing voices are accompanied by recorder, oboe,...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the origin...

Kostbarkeit aus dem Weihnachtsoratorium, wirkungsvolles Arrangement

Auch bekannt als 'Hört der Engel helle Lieder', inclusive Piccolo-Trompete

The "Miracle" is a Christmas oratorio with the familiar classical parts, but in a popular musical style. It is suitable for both staged and concert performances. The solo roles are designed so that th...