Sheet Music for Mixed Ensemble
Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...
Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Study Score (Urtext)
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'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Set of Parts (Urtext)
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'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Set of Parts (Urtext) Download
- Carus-Verlag
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'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext)
- Carus-Verlag
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ships within 2-5 working days
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'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext) Download
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Kantate für eine Trauerfeier bzw. zum Fest Mariae Reinigung - Rekonstruktion der mutmasslichen Urfassung (Klaus Hofmann); Entstehungsdatum nicht sicher. Soli TB, Coro SATB, Fl, Obda, Vada (Vl), Org -...
Kantate für eine Trauerfeier bzw. zum Fest Mariae Reinigung - Rekonstruktion der mutmasslichen Urfassung (Klaus Hofmann); Entstehungsdatum nicht sicher. Soli TB, Coro SATB, Fl, Obda, Vada (Vl), Org -...
- Soloists, Mixed Choir (SATB), Flute, Oboe, Viola and Organ
- Score
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Kantate für eine Trauerfeier bzw. zum Fest Mariae Reinigung - Rekonstruktion der mutmasslichen Urfassung (Klaus Hofmann); Entstehungsdatum nicht sicher. Soli TB, Coro SATB, Fl, Obda, Vada (Vl), Org -...
Kantate für eine Trauerfeier bzw. zum Fest Mariae Reinigung - Rekonstruktion der mutmasslichen Urfassung (Klaus Hofmann); Entstehungsdatum nicht sicher. Soli TB, Coro SATB, Fl, Obda, Vada (Vl), Org -...
- Soloists, Mixed Choir (SATB), Flute, Oboe, Viola and Organ
- Score Download
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Possibly composed during the time at Weimar (1708-1717)
Possibly composed during the time at Weimar (1708-1717)
- Soloists (SB), Mixed Choir (SATB), Oboe, Violin Solo and Continuo
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Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag - möglicherweise während der Weimarer Zeit (1708-1717) komponiert. Soli SB, Coro SATB, Ob, Vl solo, Vc/Cb, Org - Tonart D-Dur / e-Moll
Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag - möglicherweise während der Weimarer Zeit (1708-1717) komponiert. Soli SB, Coro SATB, Ob, Vl solo, Vc/Cb, Org - Tonart D-Dur / e-Moll
- Soloists, Mixed Choir (SATB), Oboe, Violin, Cello and Organ
- Instrumental Part: Oboe (Download)
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Kantate zum Sonntag Estomihi. Soli SATB, Coro SATB, Ob, Fg, Str, Org - Tonart c-Moll / Es-Dur
Kantate zum Sonntag Estomihi. Soli SATB, Coro SATB, Ob, Fg, Str, Org - Tonart c-Moll / Es-Dur
- Soloists, Mixed Choir (SATB), Oboe, Bassoon, Strings and Organ
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Kantate zum Sonntag Estomihi. Soli SATB, Coro SATB, Ob, Fg, Str, Org - Tonart c-Moll / Es-Dur
Kantate zum Sonntag Estomihi. Soli SATB, Coro SATB, Ob, Fg, Str, Org - Tonart c-Moll / Es-Dur
- Soloists, Mixed Choir (SATB), Oboe, Bassoon, Strings and Organ
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Die Kantate wurde wahrscheinlich am 27.9.1716, dem 16. Sonntag nach Trinitatis, in der Weimarer Schlosskirche erstmals aufgeführt. Der Text entstammt dem Kantatenjahrgang 'Evangelisches Andachts-Opffe...
Die Kantate wurde wahrscheinlich am 27.9.1716, dem 16. Sonntag nach Trinitatis, in der Weimarer Schlosskirche erstmals aufgeführt. Der Text entstammt dem Kantatenjahrgang 'Evangelisches Andachts-Opffe...
- Soloists, Mixed Choir (SATB), 2 Flutes, 2 Violins, Viola and Continuo
- Study Score
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1
- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
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- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2
- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
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- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
- Instrumental Part: Viola
- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Download)
- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
- Instrumental Part: Continuo
- Masaaki Suzuki
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- Soloists (SATB), Mixed Choir, Flute, Horn, 2 Violins, Viola and Continuo
- Instrumental Part: Continuo (Download)
- Masaaki Suzuki
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The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...
The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...
- Soloists (SATB), Mixed Choir (SATB), Horn, Recorder, 2 Violins, Viola and Continuo
- Set of Parts Download
- Masaaki Suzuki
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This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Set of Parts (Urtext)
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This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Set of Parts (Urtext) Download
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This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext)
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This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext) Download
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