The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 2 Download (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Single part basso continuo Download (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext) Download
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Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
- Mixed Choir (SATB), 3 Trombones, 2 Violins and Continuo
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Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
- Mixed Choir (SATB), 3 Trombones, 2 Violins and Continuo
- Harmony Parts
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Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
- Mixed Choir (SATB), 3 Trombones, 2 Violins and Continuo
- Instrumental Part: Violin 1
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Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
- Mixed Choir (SATB), 3 Trombones, 2 Violins and Continuo
- Instrumental Part: Violin 2
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Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
- Mixed Choir (SATB), 3 Trombones, 2 Violins and Continuo
- Instrumental Parts: Cello and Double Bass
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Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
Offertorium de S. Joanne Baptista - Durch die Wiederholung des vollständigen Textes gliedert sich die durchkomponierte Motette in zwei Teile, denen ein instrumentales Vorspiel vorangeht und eine Coda...
- Mixed Choir (SATB), 3 Trombones, 2 Violins and Continuo
- Instrumental Part: Organ
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Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...
Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...
Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Wolfgang Amadeus Mozarts Offertorium 'Benedictus sit Deus' entstand wahrscheinlich während eines längeren Aufenthalts in Wien zur Einweihung der dortigen Waisenhauskirche am Rennweg, die am 7. Dezembe...
Wolfgang Amadeus Mozarts Offertorium 'Benedictus sit Deus' entstand wahrscheinlich während eines längeren Aufenthalts in Wien zur Einweihung der dortigen Waisenhauskirche am Rennweg, die am 7. Dezembe...
- High Voice, Mixed Choir (SATB), 2 Flutes, 2 Horns, 2 Trumpets, Timpani, Strings and Organ
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Wolfgang Amadeus Mozarts Offertorium 'Benedictus sit Deus' entstand wahrscheinlich während eines längeren Aufenthalts in Wien zur Einweihung der dortigen Waisenhauskirche am Rennweg, die am 7. Dezembe...
Wolfgang Amadeus Mozarts Offertorium 'Benedictus sit Deus' entstand wahrscheinlich während eines längeren Aufenthalts in Wien zur Einweihung der dortigen Waisenhauskirche am Rennweg, die am 7. Dezembe...
- High Voice, Mixed Choir (SATB), 2 Flutes, 2 Horns, 2 Trumpets, Timpani, Strings and Organ
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
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- Harmony Parts
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
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- Instrumental Part: Violin 1
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
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- Instrumental Part: Violin 2
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
- Mixed Choir (SATB), 4 Trumpets, Timpani, 2 Violins and Continuo
- Instrumental Parts: Cello and Double Bass
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Marienantiphon - Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den...
Marienantiphon - Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den...
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Marienantiphon - Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den...
Marienantiphon - Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Download)
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Sound Diversity: Scores for Your Mixed Ensemble
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