For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Double Bass (Urtext)
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- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Single part double bass Download (Urtext)
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Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
- 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
- Harmony Parts (Urtext)
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Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
- 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Urtext)
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Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
- 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Urtext)
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Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
- 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
- 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
- Instrumental Parts: Cello, Violone and Bassoon (Urtext)
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Organ (Urtext)
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Harp (Urtext)
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ships within 2-4 working days
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Violin 2 (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
ships within 2-4 working days
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Viola (Urtext)
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Cello (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
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Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
Saint-Saëns was just 23 years old when he composed his 'Oratorio de Noël' in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholar...
- Soloists (SSATB), Mixed Choir (SATB), Harp, 2 Violins, Viola, Cello, Double Bass and Organ
- Instrumental Part: Double Bass (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
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- Saxophone, Piano and Percussion
- Sheet Music Download
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Violine, Violoncello, Klavier - Spielpartitur; Stimmensatz
- Violin, Cello and Piano
- Score and Parts
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5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
- 5 Recorders and Strings
- Instrumental Parts: Descant Recorder & Violin 1
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- 5 Recorders and Strings
- Instrumental Parts: Descant Recorder & Violin 1 (Download)
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5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
- 5 Recorders and Strings
- Instrumental Part: Alto Recorder
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- 5 Recorders and Strings
- Instrumental Part: Alto Recorder (Download)
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5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
- 5 Recorders and Strings
- Instrumental Part: Tenor Recorder
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- 5 Recorders and Strings
- Instrumental Part: Tenor Recorder (Download)
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5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
- 5 Recorders and Strings
- Instrumental Parts: Bass Recorder and Cello
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- 5 Recorders and Strings
- Instrumental Parts: Bass Recorder and Cello (Download)
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5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
5 Sätze für Blockflötenquartett oder Streichinstrumente. Polonaise, Bourrée I, Air en Menuet, Bourrée II, Schwabentanz. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Tenor-Blockflöte in c,d, Bass-Blo...
- 5 Recorders and Strings
- Instrumental Part: Violin 2
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Sound Diversity: Scores for Your Mixed Ensemble
The Creative Freedom of Mixed Ensembles
Mixed ensembles, the exciting combination of different families of instruments such as strings, woodwinds and brass, keyboard instruments, percussion or vocals, open up an endless world of colors and expressive possibilities. From famous chamber music like Schubert's 'Trout Quintet' to experimental contemporary works and flexible arrangements for pop, jazz or world music – the stylistic range is enormous. Publishers like Bärenreiter, Universal Edition or Hal Leonard often offer fascinating literature that you can find in our selection of over 1,000,000 scores.
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