Sheet Music for Mixed Ensemble

The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...

Kantate zum 5. Sonntag nach Trinitatis - Für diese Choralkantate übernahm Bach die 1, 4 und 7 Strophe des gleichnamigen Chorals von Georg Neumark. Die anderen Strophen sind dagegen mit freien Nachdich...

For this choral cantata, Bach took the 1st, 4th and 7th verses of the chorale of the same name by Georg Neumark. The other verses, however, were mixed with free adaptations.

Der 'Actus tragicus' oder 'Gottes Zeit ist die allerbeste Zeit' BWV 106 zählt zu Bachs bekanntesten und am meisten geschätzten Werken mit bis heute ungebrochener Resonanz - ein 'Geniewerk, wie es auch...

The six-movement cantata is based on the song of the same name by Ahasverus Fritsch, which was first recorded in the Darmstadt songbook in 1698. It is therefore one of the choral cantatas that use a h...

It seems reasonable to link the creation of the work to a penitential service held in St. Mary's Church in Mühlhausen to commemorate the devastating fire that ravaged large parts of the town on May 29...

The cantata "Erforsche mich Gott und erfahre mein Herz" BWV 136 was composed during Bach's first year in office as Thomaskantor in Leipzig and was premiered on the 8th Sunday after Trinity, July 18, 1...

Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although "Warum betrübst du dich, mein Herz" BWV 138 is based on the hymn of the same name, it is not one of Bach's chorale cantatas. In this unusual composition from Bach's first year, further choral...

Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen' (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for t...

Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen' (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for t...

Bach's choral cantata with the opening text "Wohl dem, der sich auf seinen Gott recht kindlich verlassen kann" BWV 139 was performed for the first time on November 12, 1724 at the main church service...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for the nine-movement cantata "Schau, lieber Gott, wie meine Feind" BWV 153, which he composed for the Sunday after New Year in 1724, his first year in office as...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata "Mein liebster Jesus ist verloren" BWV 154 was performed for the first time on January 9, 1724, the 1st Sunday after Epiphany. The structure and length of the work are unusual: it comprise...

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...