Sheet Music for Mixed Ensemble

Henri Droguet's poetry seemingly defies any attempt to be set into music ; isn't it in itself supremely orchestral by its verbal exhuberance, its visionary lyricism and its frantic rhythm ? But there...

The concert aria Bomben auf Engelland was created on December 13th, 1976 at the Essaïon theatre in Paris by soprano Nell Froger, saxophonist Ryo Noda and the composer himself at the piano, during a "O...

Noctua is the Latin word for the owl. This poem has the form of a set of three haïkus, evocating the luminous serenity of the evening when the sun, like a Lied by Strauss, never ends glowing and fadin...

In this concertino, the soloist alternatively plays the flute, the piccolo and the alto flute; the piccolo extends towards the high register the brightness and the velocity of the flute; the alto flute ex...

In this concertino, the soloist alternatively plays the flute, the piccolo and the alto flute; the piccolo extends towards the high register the brightness and the velocity of the flute; the alto flute ex...

Gossec wrote the 6 Symphonies opus 6 in 1762 while he was the music intendant for the Princes of Condé and Conti. The third one in C minor is a 3-movement symphony, like the vast majority of the symph...

According to the original edition, this symphony was first performed at the Concert des amateurs—a concert society in competition with the Concert spirituel​—in 1777, the year Le Duc died. It shows a...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

If Ferdinand Herold owes his reputation largely to his operas, of which Zampa ou La Fiancée de marbre (1831) remains a reference until today, there are works from the beginning of his life that we sp...

Details: 1 flute (flute in G), 1 oboe (English horn, oboe d'amore), 1 bass clarinet in B-flat (basset horn in F, piccolo clarinet in E-flat), 1 horn, 1 trumpet, 1 piano and celesta, 1 percussionist (v...

This work is a motet with several numbers dividing the Magnificat in 7 parts. The piece is entirely handwritten like all works by Grénon currently known. We have a five-part full score (that we will c...

After I had transcribed the Épigraphes antiques, beautifully performed several times by the Ensemble orchestral contemporain, I was invited by Daniel Kawka to renew the experience with Debussy's Prélu...

After I had transcribed the Épigraphes antiques, beautifully performed several times by the Ensemble orchestral contemporain, I was invited by Daniel Kawka to renew the experience with Debussy's Prélu...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

As I was working on this transcription of Ernest Chausson's Poème de l'amour et de la mer op. 19 for voice, string quartet and piano, I wanted above all to respect the absolute uniqueness of that work...

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...

For a long time I have been trying to transpose… The dance writing, in its notation and drawing of symbolic elements, has always appeared to me, through the various work collaborations with choreograp...

The scene published here is taken from the first act. It consists of seven main sections, with an overall structure of three parts: soliloquy - dialogue - duet. We see first of all Phaon, who is singi...

The Wesendonck-Lieder were written in 1857-1858 in an exceptional momentum of creative effervescence, of musical and cultural search, and of passionate love. Wagner develops the chromatic writing that...