Sheet Music for Mixed Ensemble

Gene Young's 'Thirty-Five Mescals In Cuautla' is a setting of Malcolm Lowry's (1909-1957) autobiographical verse that is derived from his towering novel, 'Under The Volcano' (1947). All the performers...

Gene Young's 'Thirty-Five Mescals In Cuautla' is a setting of Malcolm Lowry's (1909-1957) autobiographical verse that is derived from his towering novel, 'Under The Volcano' (1947). All the performers...

Fremdländler is a musical rendering of a famous story called Ds Totemügerli by Swiss writer Franz Hohler. The interprets should be like storytellers and incorporate as accurately as possible the atmo...

Fremdländler is a musical rendering of a famous story called Ds Totemügerli by Swiss writer Franz Hohler. The interprets should be like storytellers and incorporate as accurately as possible the atmo...

Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...

Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...

ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...

ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

On a rhythmic and pulsating ostinato of the harp, the simple melody of the trombone unfolds and gradually becomes more intense and passionate. The rhythmic and melodic souls intertwine and merge into...

On a rhythmic and pulsating ostinato of the harp, the simple melody of the trombone unfolds and gradually becomes more intense and passionate. The rhythmic and melodic souls intertwine and merge into...

In this three-movement suite, Corrado Maria Saglietti skillfully uses his sense of drama, elegance and burlesque to transport us into a quasi-cinematic comedy in which the melodies are transformed int...

In this three-movement suite, Corrado Maria Saglietti skillfully uses his sense of drama, elegance and burlesque to transport us into a quasi-cinematic comedy in which the melodies are transformed int...

In a typical tango atmosphere, a melancholy, sensual melody opens the first piece. Then a simple but intense song unfolds, in a sometimes thin, sometimes passionate setting. The last piece is rhythmic...

In Time for bass trombone, piano and percussion is a single movement, eight minute work written in 1989. Commissioned by David Titcomb, the work was inspired by the events at Tiananmen Square and is d...

In the late Spring of 2007 I was asked by John Miller, Professor of Brass at the Royal Northern College of Music in Manchester to write a piece for brass ensemble. It was to be a joint project with RN...

In the late Spring of 2007 I was asked by John Miller, Professor of Brass at the Royal Northern College of Music in Manchester to write a piece for brass ensemble. It was to be a joint project with RN...

In the late Spring of 2007 I was asked by John Miller, Professor of Brass at the Royal Northern College of Music in Manchester to write a piece for brass ensemble. It was to be a joint project with RN...

In the late Spring of 2007 I was asked by John Miller, Professor of Brass at the Royal Northern College of Music in Manchester to write a piece for brass ensemble. It was to be a joint project with RN...

In the late Spring of 2007 I was asked by John Miller, Professor of Brass at the Royal Northern College of Music in Manchester to write a piece for brass ensemble. It was to be a joint project with RN...

In the late Spring of 2007 I was asked by John Miller, Professor of Brass at the Royal Northern College of Music in Manchester to write a piece for brass ensemble. It was to be a joint project with RN...