In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
In 1915 Sergei Rachmaninov composed the 'Fourteen Songs' opus 34. The last song of this set is the 'Vocalise'. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words,...
- Cello and Winds
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- Jos van de Braak
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In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
- Alto Saxophone Solo, 2 Flutes, Oboe, 2 Bassoons, 3 Clarinets, Bass Clarinet, 2 Alto Saxophones, Tenor Saxophone and Baritone
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- Jos Dobbelstein
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In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
- Alto Saxophone Solo, 2 Flutes, Oboe, 2 Bassoons, 3 Clarinets, Bass Clarinet, 2 Alto Saxophones, Tenor Saxophone and Baritone
- Score and Parts Download
- Jos Dobbelstein
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In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
- Alto Saxophone Solo, 2 Flutes, Oboe, 2 Bassoons, 3 Clarinets, Bass Clarinet, 2 Alto Saxophones, Tenor Saxophone and Baritone
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- Jos Dobbelstein
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In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
In 1934 Alexander Glazunov composed his 'Concerto for Alto Saxophone and String Orchestra'. Although invented in the early 1840s, the saxophone was still fairly new and unfamiliar in Glazunov's day it...
- Alto Saxophone Solo, 2 Flutes, Oboe, 2 Bassoons, 3 Clarinets, Bass Clarinet, 2 Alto Saxophones, Tenor Saxophone and Baritone
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- Jos Dobbelstein
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'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
- Cello Solo and Wind Ensemble
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- Andreas van Zoelen
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'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
- Cello Solo and Wind Ensemble
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- Andreas van Zoelen
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'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
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- Andreas van Zoelen
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'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
'Le carnaval des animaux' (The Carnival of the Animals) is a humorous musical suite of fourteen movements by French composer Camille Saint-Saëns. 'Le Cygne' is the 13th movement of the suite, original...
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- Andreas van Zoelen
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'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
- 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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- Matteo Firmi
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'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
- 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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- Matteo Firmi
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'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
- 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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- Matteo Firmi
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'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...
- 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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- Matteo Firmi
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'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
- High Voice, Medium Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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- Philipp Zink
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'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
- High Voice, Medium Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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- Philipp Zink
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'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
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'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
'Idomeneo, re di Creta' is an opera seria by Wolfgang Amadeus Mozart. The duet 'S'io non moro a questi accenti' is sung by Ilia and Idamante at the beginning of the 3rd act. In this duet they sing abo...
- High Voice, Medium Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns
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Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass, Harp and Celesta
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Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass, Harp and Celesta
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Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass, Harp and Celesta
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Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
Liù sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is.
- High Voice, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass, Harp and Celesta
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- Philipp Zink
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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- Andre Bodin
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
- Score and Parts Download
- Andre Bodin
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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- Andre Bodin
- Baton Music
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
- Score Download
- Andre Bodin
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Sound Diversity: Scores for Your Mixed Ensemble
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