Sheet Music for Mixed Ensemble

L'incoronazione di Poppea, Claudio Monteverdi's final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history's great enigmas. T...

Mozart composed his two 'Lodron Serenades' for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright 'al fresco' character is immediately recognisable. A...

In 1738 Georg Frideric Handel penned 'Il Xerse' which was to be his last as well as his most famous opera. However in truth, Handel’s opera is nothing other than the final chapter in the history of a...

Klav-solo/V-solo/Vc-solo/Fl/2Ob/2Klar/2Fag/2Hn/2 Trp-Cl/Pk/2V/Va/Vc/KB

> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...

Notes on the performance practice of Leonardo Miucci

Urtextausgabe

Christopher Hogwoods wissenschaftlich-kritische Edition von Brahms' berühmtem Klaviertrio basiert auf den beiden Hauptquellen, der Erstedition und dem Autograph. Das Vorwort zur vorliegenden Ausgabe b...

After Johannes Brahms' String Sextet in G major op. 36, the Simrock publishing house published – as was customary at the time – adaptations of the work for other ensembles. In 1883 a version for piano...

After Johannes Brahms’ String Sextet in G major, Op. 36, was published in 1866, the Simrock publishing house—as was customary at the time—released arrangements of the work for other instrumentations....

In Ergänzung zu den wissenschaftlich-kritischen Ausgaben der Trios von Johannes Brahms bei Bärenreiter erscheint hier eine Bearbeitung des Streichsextetts op. 18 für Klaviertrio, angefertigt von Brahm...

Bedřich Smetana’s chamber music is generally considered to be of relatively minor importance when viewed in the context of his entire body of work. Yet the modest number of works is deceptive; through...

Das Opus 81 gehört seit Langem zu den international meistgespielten Kammermusikwerken überhaupt. Die vorliegende Ausgabe basiert auf der 'Gesamtausgabe der Werke Antonín Dvoráks', das neue, ausführlic...

> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...

> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...

Confluences is a three-movement work for clarinet, violin, violoncello and piano which was composed for the New York Continuum Ensemble in 2001. In the short first movement, a two-note motif wanders t...

Composed in 1964 for a performance in Bennington (Vermont, USA) and revised in 2003, Concert Piece for 4 is virtuoso and delightful to play. The highlight of the work is the third movement, a passacag...

Die ungewöhnliche Besetzung mit Flöte (auch Piccolo- und Altflöte), Violoncello und Schlagwerk (2 Spieler mit Xylophon, Metallophonen, Crotales, Glockenspiel, Woodblocks, Drums und Temple Block) entsp...

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.Sintra is a 'typ...

Composed in 1964 for a performance in Bennington (Vermont, USA) and revised in 2003, Concert Piece for 4 is virtuoso and delightful to play. The highlight of the work is the third movement, a passacag...

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.Fünf Phantasiest...