Sheet Music for Mixed Ensemble

An avant-garde piece for chamber ensemble using Instrumentation similar to Schoenberg's Pierrot Lunaire. A challenge for all the musicians, but the final result is quite a phenomenal sound. 2012 NFA N...

for Flute, Violin, Cello and Guitar. This evocative piece combines a unique group of instruments and creates sounds that are energetic and haunting at the same time. A great addition for chamber ensem...

This trio is a gem in an otherwise underutilized instrumentation which has has been carefully reconstructed by P. Brent Register. 2012 NFA Newly Published Music Competition - Honorable Mention

Concert Music for Flute and Violin, by Randy Navarre, is a forceful, multi-metered work in two movements: Adagio and Forcefully.

Allegretto; Andante; Rondo Based on a violin/cello duo by Bohemian composer Leopold Jansa, this arrangement for flute and cello is a major addition to the repertoire.

for Flute, Violin, Viola and Cello. Thought to have been originally composed between 1732-34, Uccellino Chiuso has been carefully reconstructed from original manuscript by baroque flutist, Courtney We...

for Flute, Clarinet and Piano. Three movements based on Brazilian motives and dance styles, originally written for the Pilgrim Chamber Players in 1999. 2012 NFA Newly Published Music Competition - HON...

A six movement song-cycle based on text improvisations of Chinese texts from around 700AD. Premiered in August 2011. The movements are titled Endless Joy; The Mirror; Reply to Subprefect Zhang; How Lo...

for Flute/Piccolo, Clarinet and Cello. This trio was based on a short piano piece which the composer wrote as a musical souvenir of a brief trip to Northern Mexico in 2002. While not actually based on...

for Oboe, Clarinet and Piano. Taken from the program notes: 'Consonance and Dissonance explores the contrasting tones of Oboe and Clarinet. Throughout the piece, harmonies shift in and out of dissonan...

for Flute, Clarinet and Piano. This edition of one of Cesar Cui's most beloved works has been adapted from the original version for flute, violin and piano. Consists of five contrasting movements (Bad...

Composed in 2008, conceived as a collaboration of poetry, music and dance. As a dance piece, it was composed with the idea that there would be no breaks between the individual movements and with the m...

The beloved Clarinet Concerto of Wolfgang Amadeus Mozart was composed in 1791 for the clarinetist Anton Stadler, and was the last purely instrumental piece of music he composed. Here, the second movem...

Using the main pieces of La Sonnambula by Bellini, the former clarinettist of La Scala, Luigi Bassi, wrote a duo for two clarinets and piano. Now, Luis Cosme Gonzalez adapts the piano accompaniment to...

This is indeed the famous Andante and Rondo, Op. 25, with chamber wind accompaniment instead of piano. An excellent and very playable transcription dedicated to Katherine Borst Jones (Ohio State Unive...

Weather Conversations' my be performed either with live, natural flute sound and the soundtrack fed through stereo speakers, or with enhancement of the live flute sound by wired or wireless mic. In th...

Delightfully humorous, this piece gives serious flutists and flute lovers an opportunity to laugh at themselves and the many ways flutists are required to imitate birds. The words are wonderful! Instr...

Snap!' was written in May of 2018 for the ZAWA! Flute duo, Jill Felber and Claudia Anderson. The basic rhythmic patterns of the piece grew out of sound samples demonstrating various extended technique...

Four traditional Japanese haiku set to music. The music is not intended to sound Japanese, but rather aims, like haiku itself, to create a mood of simplicity and a meditative state of mind. Instrument...

Red Cedar Chamber Music invited sixteen composers to participate in a group commissioning project to celebrate the 2004 centennial of Czech composer Antonín Dvořák (1841-1904). The resulting 'Spillvil...

Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transpo...