Georg Friedrich Händel
Water Music/Music for the Royal Fireworks HWV 348-351
Equipped for harpsichord or organ
Georg Friedrich Händel
Water Music/Music for the Royal Fireworks HWV 348-351
Equipped for harpsichord or organ
- Instrumentation Flute, Harpsichord and Continuo
- Optional Instrumentation Violin, Organ and Continuo
- Composer Georg Friedrich Händel
- Editor Francesco Geminiani Siegbert Rampe
- Editor Siegbert Rampe
- Edition Score and parts (violin, harpsichord, organ and basso continuo) Download
- Publisher Bärenreiter Verlag
- Order no. BA9254-DL
Download immediately after ordering
incl. tax,
excl. shipping costs
Not available in all countries. Learn more
Description:
As early as 1743, i.e. during Handel's lifetime, Francesco Geminiani created an arrangement of the "Water Music" for keyboard instruments to enable the popular work to be performed in a domestic setting.
Presumably in 1749 (London), an unknown musician arranged the "Music for the Royal Fireworks" for transverse flute or violin and harpsichord.
In addition to these two contemporary versions, the present edition contains an arrangement by the editor Rampe of the "Music for the Royal Fireworks" for harpsichord or organ based on the first edition. Both early sources name the harpsichord, but the arrangements can also be performed faithfully and effectively on the organ.
Since the surviving version by Anonymus only offers a solo part and figured bass notated as a two-part system, appropriate performance material (one part each for flute/oboe/violin and violoncello/contrabass as well as a suspended continuo part) has been added to the volume.
Presumably in 1749 (London), an unknown musician arranged the "Music for the Royal Fireworks" for transverse flute or violin and harpsichord.
In addition to these two contemporary versions, the present edition contains an arrangement by the editor Rampe of the "Music for the Royal Fireworks" for harpsichord or organ based on the first edition. Both early sources name the harpsichord, but the arrangements can also be performed faithfully and effectively on the organ.
Since the surviving version by Anonymus only offers a solo part and figured bass notated as a two-part system, appropriate performance material (one part each for flute/oboe/violin and violoncello/contrabass as well as a suspended continuo part) has been added to the volume.