New Imports

Donna Kasbohm has set the 21 texts for the Order of Christian Initiation of Adults (OCIA) largely for unison singing with descants, and piano or organ accompaniment with some C instrument parts. All a...

This unison anthem may be used by either the choir or may serve as a hymn. The text by Thomas Troeger is very appropriate for anniversary celebrations or for remembrance of an institution's founding m...

Gergask Songs is for childrens voices, mostly in unison but with some optional two part writing, with piano, optionally supported by violin and clarinet/bassoon if available (these optional instrument...

Introduce your tenors and basses to gentle and warm singing that creates musical emotion without an overly sentimental text, all while fitting perfectly in the vocal range. The piano accompaniment is...

Inspired by a poem from Walter de la Mare's Peacock Pie: A Book of Rhymes, this expressive setting captures the poet's sense of mystery and magic in everyday things. Designed for developing tenor-bass...

for TTBB and piano. This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of Rutter's cycle When Icicles Hang. Here, it has been specially adapted for TTB...

Celebrating the marvels of modern architecture, this well-constructed tenor/bass feature salutes human achievement and perseverance. Engineered especially for changed and changing voices, this innovat...

This exquisite poem is set as a lyrical art song for low voices. An opening solo sets the tone for gorgeous choral harmonies that follow. The expressive piano accompaniment never doubles the vocal par...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

This arrangement of Love That Will Not Let Me Go was conceived as an opportunity for tenor–bass singers to explore lyrical phrasing and expressive lines within a comfortable vocal range. Set in a trad...

In Flanders Fields by Dan Davison is a powerful tenor–bass setting of the iconic World War I poem. A beautifully haunting piano accompaniment supports long, sustained vocal lines that encourage tone d...

New World Kyrie by Jordan Ricks weaves the timeless themes of Dvo?ák’s New World Symphony with the traditional Latin Kyrie text. Scored for tenor–bass voices, piano, and cello, the accompaniment creat...

Composed to fill the need for beautiful, yet achievable, choral music for our aspiring musicians, Majestic Gloria offers many teaching opportunities with a joyful and uplifting Latin text. Also availa...

Rainbow by Ayrian Norman celebrates the hope that shines after the storm. A vibrant, flowing piano part drives the energy forward beneath a distinctive melody that moves through contrasting moods: ref...

Bill Grogan's Goat is a delightful arrangement of an Appalachian folk song that captures the humor and charm of traditional storytelling. Designed for beginner-level choirs, this piece allows each par...

Read On, with music by Meredith Tompkins and lyrics by Brooke Manolis, is a beautifully crafted choral piece that invites singers into a world of curiosity and reflection. The intricate, engaging acco...

Dawa ya moto ni moto is a Swahili proverb that means "Medicine for fire is fire." English speakers are probably familiar with the phrase "Fight fire with fire." This piece expresses the most positive...

Cedar Hill, originally a solo by Mark Patterson, has been reimagined for tenor–bass choir with a beautiful, heartfelt melody and accessible harmonies suited for developing voices. The choral writing s...