New Imports

Instrumentation: 4 (1st + 2nd also AFl; all 4 also Picc), 4, 4 in Bb (4th also in Eb), BKlar, KbKlar, ASax in Eb, 3, Kfag - 6, 4, 4 (3rd BPos, 4th KbPos), BTub, KbTub - Pk (2), Schlg (6) - Hfe, elOrg/...

Instrumentation: Picc, 2, 2, 2, 2, 2, Kfag - 4, 3, 3, 1 - Pk, Schlg (3) - Hfe - Str/15 minutes Premiere on June 10, 1989 in Regensburg, "Regensburger Frühling": Symphonieorchester des Bayerischen Rund...

Instrumentation: 1 (also Picc), 1, 1, 1 (also Kfag) - 1, 1, 1, 1 - Pk, Schlg (1) - Str (12 V, 8 Va, 6 Vc, 3 Kb)/20 minutes Premiere on September 24, 1990 in Frankfurt, Frankfurt Feste: Alte Oper, Sieg...

A ten-minute work for TTBB chorus and orchestra, commissioned by the Royal Scottish National Orchestra and Changed Voices Chorus to celebrate their 20th anniversary season in 2025/26. Words by Kate Wa...

The Ballad of the Ancient Mariner World premiere: A work by John Glenesk Mortimer unites a professional orchestra with a youth orchestra, a choir and a soloist. The work was commissioned by the pedago...

The Ballad of the Ancient Mariner World premiere: A work by John Glenesk Mortimer unites a professional orchestra with a youth orchestra, a choir and a soloist. The work was commissioned by the pedago...

SCORE IN A4 FORMAT "Egmont - Immortal" by Juraj Filas is a symphonic movement for orchestra conceived as a solemn homage to Ludwig van Beethoven. The work is dedicated to the memory of the German comp...

SCORE IN A4 FORMAT "Egmont - Immortal" by Juraj Filas is a symphonic movement for orchestra conceived as a solemn homage to Ludwig van Beethoven. The work is dedicated to the memory of the German comp...

PARTITURE IN A4 FORMAT Juraj Filas is a composer whose musical language is characterized by a strong emotional intensity and a deeply lyrical compositional style. His Viola Concerto is part of a neo-r...

PARTITURE IN A4 FORMAT Juraj Filas is a composer whose musical language is characterized by a strong emotional intensity and a deeply lyrical compositional style. His Viola Concerto is part of a neo-r...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic' style, quickly ach...

There are many anecdotes surrounding the String Quartet op. 131: Beethoven described it as his best work; looking back on the works of his last creative period, this string quartet was closest to his...