Sheet Music for Orchestra

This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan.  Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...

In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...

In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...

ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...

ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...

ELIJAH (German: ELIAS), Op. 70, is an oratorio by Felix Mendelssohn Bartholdy (1809-1847) that depicts events in the life of the Prophet Elijah as told in the books 1 Kings and 2 Kings of the Old Test...

Left unfinished at the time of his death, Wolfgang Amadeus Mozart's (1756-1791) REQUIEM MASS in D minor, K. 626 remains among the composer's most recognizable works and is a major part of the choral r...

Left unfinished at the time of his death, Wolfgang Amadeus Mozart's (1756-1791) REQUIEM MASS in D minor, K. 626 remains among the composer's most recognizable works and is a major part of the choral r...

In 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO...

In 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO...

Written in 1774 while he was in Salzburg, Wolfgang Amadeus Mozart's (1756-1791) Missa Brevis in F Major, K. 192 (186f) is written for the following: Org (in sc): Str (2-2-0-1-1 in set): Solo SATB: Mx...

The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...

Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...

While Joseph Gabriel Rheinberger composed a significant number of works for worship, his MASS IN C MAJOR, Op. 169 for soloists, mixed chorus and orchestra is the only mass to include orchestral accomp...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offe...

This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offe...

Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...

Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l'honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on...

Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

BIBLICAL SONGS, Op. 99/B. 185, on texts from the Book of Psalms, were written in March of 1894, during Antonín Dvorák's (1841-1904) stay in the United States. The composer turned to the Bible against...

BIBLICAL SONGS, Op. 99/B. 185, on texts from the Book of Psalms, were written in March of 1894, during Antonín Dvorák's (1841-1904) stay in the United States. The composer turned to the Bible against...

The holiday classic, "God Rest Ye Merry Gentlemen" arranged and orchestrated by Arthur Harris is for full orchestra. Instrumentation: 2+Picc.2.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(4): Hp: Str (9.8.7.6.5 i...