Sheet Music for Orchestra

Exact instrumentation: 2.2.2.2- 4.3.3.1- timpani, percussion, piano - strings

2 trumpets and orchestra or piano Exact instrumentation: 1.1.1.1.- 0.1.0.0.- pno, drum - strings: set 6.5.5.4.3

In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...

In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...

In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...

In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...

Johann Nepomuk Hummel's trumpet concerto, which has been a firm fixture in the repertoire since the late 1960s, was written for the Viennese virtuoso on the keyed trumpet Anton Weidinger (1766-1852),...

Johann Nepomuk Hummel's trumpet concerto, which has been a firm fixture in the repertoire since the late 1960s, was written for the Viennese virtuoso on the keyed trumpet Anton Weidinger (1766-1852),...

This work was commissioned by the Musikhochschule Bern (Switzerland) for the Soloist Diploma final examination of Roland Fröscher, a brilliant young euphonium virtuoso. The Capriccio is set in four mo...

The Euphonium Concerto by John Stevens was commissioned for American euphonium icon Brian Bowman, by DEG Music Products Inc. (USA) and Willson Instruments (Switzerland), in honor of his 30+ years asso...

Commissioned by the Philharmonic Symphony Society of New York, Inc. World Premiere: November 24, 1989, Avery Fisher Hall, Lincoln Center for the Performing Arts, New York, N.Y. The New York Philharmon...

The basic idea of Parallels was to combine the flexible rhythmic concept of classical-style composed chamber music with jazz harmonies, and phrasing and sound of improvised jazz. Although there is no...

The basic idea of Parallels was to combine the flexible rhythmic concept of classical-style composed chamber music with jazz harmonies, and phrasing and sound of improvised jazz. Although there is no...

This concerto, written in 1980, is a concertante work for the traditional audience, but without technical or musical concessions for the tuba. The structure is inspired by the classical sonata, with a...