Sheet Music for Orchestra

3 Scenes for Mezzo-Soprano, Baritone and Orchestra. Published 1973 Flute(+Alto Flute), Harp, 2 Piano(1st+Cembalo, 2nd+Electric Piano), 2 Electric Guitar, 4 Percussion Libretto: E. Lutyens.

Published 1975. Orchestra (single winds) First performance: Twentieth-Century Ensemble of London, conducted by Edwin Roxburgh, Nottingham, 24th February 1975.

Orchestra (single winds) Published 1981 First performance: City of London Sinfonia, conducted by Richard Hickox, BBC Memorial Concert 'Music in our Time', 15th December 1983.

For Orchestra (triple winds). Published 1967. First performance: BBC Training Orchestra, conducted by Walter Susskind, 16th February 1969.

For Orchestra (triple winds). Published 1976 First performance: Royal Liverpool Philharmonic Orchestra, conducted by Simon Rattle, 25th April 1978.

For Orchestra (double winds). Published 1976.

Joaquin Turina (1882 - 1949) was a native of Seville. His place with the foremost Spanish nationalist composers was never in dispute. Several of his works are among the proudest achievements of this s...

I responded to this exciting but rather daunting commission by writing a very lively and I hope very accessible piece, which, I decided before I started composing, should be full of tunes. I wrote it...

Richard Rodney Bennet's Symphony No. 3 commissioned for the 1987 Three Choirs Festival by the Elgar Foundation with additional funds from West Midlands Arts is now published in a facsimile studyscore....

Composed in 1986

Musique de scene pour le drame de Maurice Maeterlinck Incidental music for the play by Maurice Maeterlinck Edition critique prepare par Roger Nichols et Otfrid Nies d'apres les autographes A critical...

Vogel Und Fanger by the Danish composer Bent Sorensen, scored for Vegetable Orchestra.

This Symphony, McCabe's fourth, was commissioned by the BBC as part of an exchange scheme with the Australian Broadcasting Corporation. The first performance was given by the Melbourne Symphony Orches...

The Banks of Green Willow, the final completed work of George Butterworth (1885-1916), has come to evoke both the fading world of Edwardian pastoralism and, through the tragically shortened life of it...

This work is in the nature of an orchestral epilogue to the same composer's two sets of songs, the words of which are taken from Mr A. E. Housman's poem, A Shropshire Lad.