Sheet Music for Orchestra

Classic jazz - yes, jazz - that your orchestra can play! 'Take Five,' arranged by Bob Cerulli, is the quintessential piece with which to teach 5/4 time. This arrangement has contrasting textures, both...

Classic jazz - yes, jazz - that your orchestra can play! 'Take Five,' arranged by Bob Cerulli, is the quintessential piece with which to teach 5/4 time. This arrangement has contrasting textures, both...

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings,...

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings,...

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings,...

Hotter than a Cajun barbecue, this tour-de-force for the advanced string orchestra is a workout for all of your students (and their conductor!). Conjuring up images of the Deep South, this jazzy rondo...

Hotter than a Cajun barbecue, this tour-de-force for the advanced string orchestra is a workout for all of your students (and their conductor!). Conjuring up images of the Deep South, this jazzy rondo...

Hotter than a Cajun barbecue, this tour-de-force for the advanced string orchestra is a workout for all of your students (and their conductor!). Conjuring up images of the Deep South, this jazzy rondo...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Students will really enjoy playing and singing this old-timey tune that has roots in early New Orleans-style jazz. In first position throughout, this piece features rhythmic syncopation. The upbeat pi...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

Puttin' on the Pizz by Chris Bernotas is sure to become a favorite selection of students and directors. The descending bass line sets the stage for this fun piece. All notes stay in first position and...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

This fun and cool-sounding piece is the perfect way to introduce the difference between F? and F? as well as C? and C? to your young orchestra. The melodies are passed around to all sections, keeping...

Written in Rondo form, this outstanding festival or concert piece for younger players allows all sections get a chance to shine. Includes an optional Viola substitute part for violins as well as optio...

Based upon 'What Child Is This' and 'O Come, O Come Emmanuel,' this creative arrangement allows directors to combine their school's string orchestra with the jazz ensemble. A wonderful addition to you...

Your young students will love the way this clever arrangement starts with the lower strings setting the pizzicato bass line while the rest of the orchestra snaps their fingers. A great way to introduc...

Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...

Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...

Commissioned by the International Geneva Music Competition as the required piece for its 54th competition in 1998, the work consists of three parts that are played without breaks. A motif of fifths an...

When Andreas Martin Hofmeir* initially asked Roland Szentpali to write a piece for tuba, piano, drum set (ad lib.), and strings, the composer was too busy to accommodate the request, so Szentpali comp...

When Andreas Martin Hofmeir* initially asked Roland Szentpali to write a piece for tuba, piano, drum set (ad lib.), and strings, the composer was too busy to accommodate the request, so Szentpali comp...