Sheet Music for Orchestra

This upbeat work for developing string orchestra includes a piano part that help to fill out the very jazz-oriented harmonies. It also utilizes a chop stroke effect in the violas and cellos.

This arrangement of the world-famous hit 'O Fortuna' is intended for school orchestra and amateur ensembles, allowing amateur orchestras to give impressive performances of Orff's masterpiece. For this...

Piano, String Orchestra & Xylophone

Piano, String Orchestra & Xylophone

Although associated with the bebop and hard bop jazz movements, trumpeter Freddie Hubbard brought a sweet delicacy to the gem, Little Sunflower, which Bert Ligon smooths out for jazz orchestra. A perf...

Commissioned by The Royal Danish Orchestra and The Swedish Chamber Orchestra. Full Score. Ensemble Violin Solo Piano Solo bring a Marimba mallet for playing inside the Piano String Orchestra (6-6-4-...

Orchester-Set (3-3-2-2-1)

Following up on the hugely successful bass feature, Bass-ically Bluegrass, the composer has written a gorgeous lyric solo for your young bass players! The perfect level to feature the young bass secti...

Orchestration Solo Oboe, Strings (Violin 1, Violin 2, Viola, Cello, Bass) This Oboe concerto is in three linked sections, of increasing tempi: Andante - Piu mosso - Vivace. An oboe and piano reduction...

Orchestration: Solo Oboe & Strings (Violin 1, Violin 2, Viola, Cello, Bass) In 1966 I wrote a flute, oboe and harp score for a charming children's TV series called I Am David. The eminent oboist Derek...

Italian Baroque composer, Domenico Zipoli (1688-1726) is best remembered as the most accomplished musician among Jesuit missionaries. All his works were greatly influenced by his religion and his Adag...

The publication of a collection of 12 concertos for one to four solo violins by Antonio Vivaldi in Amsterdam in 1711 laid the foundations for the fame of the Italian composer in the whole of Europe. T...

Orchester-Set (3-3-2-2-1+Violine 3)

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...

When Jean-Pierre Mathez asked me to write this concerto for trombone, I was perplexed: what kind of music should I write for such an unusual solo instrument? Then I remembered J.C. Higginbotham* and h...