Sheet Music for Chamber Orchestra

Claude Debussy (1862-1918) composed Nocturnes, L. 91 (also Trois Nocturnes) between 1897 and 1899, although some have speculated that work began as early as 1892 under the title Trois Scènes au Crépus...

Claude Debussy (1862-1918) composed Nocturnes, L. 91 (also Trois Nocturnes) between 1897 and 1899, although some have speculated that work began as early as 1892 under the title Trois Scènes au Crépus...

Claude Debussy (1862-1918) composed NOCTURNES, L. 91 (also TROIS NOCTURNES) between 1897 and 1899, although some have speculated that work began as early as 1892 under the title Trois Scènes au Crépus...

Claude Debussy (1862-1918) had originally intended for Images pour orchestre to be a sequel to the first set if Images for solo piano. However, around 1905, he had decided to orchestrate the compositi...

One of three Leroy Anderson works depicting horses (the other two being "Sleigh Ride" and "Home Stretch"), this American Pops classic in it's original scoring is part of the Anders...

An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.

Debussy, Claude. Ed. Nieweg. Published by Edwin F. Kalmus, Boca Raton, FL. Copyright 1989. Parts are also available for sale.

Debussy, Claude. Ed. Nieweg. Published by Edwin F. Kalmus, Boca Raton, FL. Copyright 1989. Parts are also available for sale.

Morton Gould, equally comfortable in the worlds of both "serious" and "light" music, presented his symphonettes (an Americanization of the term "sinfonietta," much like k...

Morton Gould, equally comfortable in the worlds of both "serious" and "light" music, presented his symphonettes (an Americanization of the term "sinfonietta," much like k...

Ottorino Respighi (1879-1936) constructed the first piece in his Roman trilogy, FONTANE DI ROMA (THE FOUNTAINS OF ROME), in four movements without break, each depicting a different fountain in Rome at...

Ottorino Respighi (1879-1936) constructed the first piece in his Roman trilogy, FONTANE DI ROMA (THE FOUNTAINS OF ROME), in four movements without break, each depicting a different fountain in Rome at...

Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued...

Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four PRÉLUDES for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April...

Hauntingly lovely, this memorable selection from the Off-Broadway musical The Fantasticks will mesmerize your audience. Keys are C and E flat, the full orchestra is involved, and a discrete drum set p...

Serenata is a short orchestral work by Leroy Anderson released in 1947. In this composition, you can sense the optimism of the country two years after the end of World War II. An American Pops classic...

Notre Dame by Franz Schmidt (1874-1939) is a romantic opera, with libretto written by both the composer himself and Leopold Wilk, a professional chemist and amateur poet. Based loosely on the 1831 Vic...

Leroy Anderson wrote: "The idea for this piece came from a passage in a poem by Rudyard Kipling titled Recessional." Anderson continued: It's unusual for a march. It goes from 2/4 into 3/4. Most march...

Leroy Anderson wrote: The idea for this piece came from a passage in a poem by Rudyard Kipling titled 'Recessional.' Anderson continued, It's unusual for a march. It goes from 2/4 into 3/4. Most march...

An American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience.  Instrumenta...

An American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience.  Instrumenta...

... fresh as paint in its firing of a melodic line that just goes on in a kind of angular strain, shuttled from one instrumental colouring to another. Paul Griffiths, The Times, 12 February 1991 Instr...

... a stunning palette of orchestral colour which transforms the 16th-century material without abusing its essential character. Michael John White, The Independent, 1 April 1988 Instrumentation: 2(I=p...

... a model of concision and concentration. San Francisco Examiner (Timothy Pfaff), September 1996, Instrumentation: 2(I=picc.II=picc+afl).1(=ca).2(I=Bb+A.II=Bb+bcl).bcl(=cbcl).1(=cbsn) - 2.1(=flhn+pt...