Sheet Music for Symphonic Orchestra
Sir Edward Elgar's Symphony No. 2 in E-flat Major, Op. 63, was composed in 1911, with the premiere taking place at the London Musical Festival by the Queen's Hall Orchestra, Elgar conducting, on May 2...
Sir Edward Elgar's Symphony No. 2 in E-flat Major, Op. 63, was composed in 1911, with the premiere taking place at the London Musical Festival by the Queen's Hall Orchestra, Elgar conducting, on May 2...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the...
Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the...
- Orchestra
- Instrumental Part: Clarinet
- Gregory Vaught, Clinton F. Nieweg
- Edwin F. Kalmus
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French composer Florent Schmitt (1870-1958) originally composed the ballet La tragédie de Salomé in 1907 for a commission from Jacques Rouché for American dancer Loie Fuller and the Théâtre des Arts,...
French composer Florent Schmitt (1870-1958) originally composed the ballet La tragédie de Salomé in 1907 for a commission from Jacques Rouché for American dancer Loie Fuller and the Théâtre des Arts,...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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French composer Florent Schmitt (1870-1958) wrote the first version of Lied et Scherzo, Op. 54 for solo horn and wind nonet in 1910. It was composed to be the horn examination piece for the Conservato...
French composer Florent Schmitt (1870-1958) wrote the first version of Lied et Scherzo, Op. 54 for solo horn and wind nonet in 1910. It was composed to be the horn examination piece for the Conservato...
- Orchestra
- Instrumental Part: Horn
- Edwin F. Kalmus
-
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Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...
Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...
- Horn and Orchestra
- Instrumental Part: Horn
- Edwin F. Kalmus
-
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The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
- Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
-
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The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...
- Orchestra
- Instrumental Part: Cello
- Edwin F. Kalmus
-
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Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...
Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...
- Cello and Orchestra
- Instrumental Part: Cello Solo
- Otakar Sourek
- Edwin F. Kalmus
-
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Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orchestra
- Score
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
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Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orchestra
- Choral Part Soprano
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
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Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orchestra
- Choral Part Alto
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
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Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orchestra
- Choral Part Tenor
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
ships within 2-4 weeks
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Orchestra
- Choral Part Bass
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
-
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The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...
The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...
- Orchestra
- Score and Parts
- František Bartoš Otakar Sourek
- Edwin F. Kalmus
-
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Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orchestra
- Score
- Graham Sheen
- Edwin F. Kalmus
-
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Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orchestra
- Score and Parts
- Graham Sheen
- Edwin F. Kalmus
-
ships within 2-4 weeks
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orchestra
- Single Part
- Graham Sheen
- Edwin F. Kalmus
-
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It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
- Orchestra
- Instrumental Part: Violin
- Edwin F. Kalmus
-
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Antonín Dvorák (1841-1904) composed A HERO'S SONG (PÍSEN BOHATÝRSKÁ), Op. 111/B. 199, in 1897, making it his final symphonic poem and one of his last major orchestral works. Unlike his earlier program...
Antonín Dvorák (1841-1904) composed A HERO'S SONG (PÍSEN BOHATÝRSKÁ), Op. 111/B. 199, in 1897, making it his final symphonic poem and one of his last major orchestral works. Unlike his earlier program...
- Orchestra
- Score and Parts
- Otakar Sourek
- Edwin F. Kalmus
-
ships within 2-4 weeks
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orchestra
- Score
- Graham Sheen
- Edwin F. Kalmus
-
ships within 2-4 weeks
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orchestra
- Score and Parts
- Graham Sheen
- Edwin F. Kalmus
-
ships within 2-4 weeks
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 1...
- Orchestra
- Single Part
- Graham Sheen
- Edwin F. Kalmus
-
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At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the foll...
At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the foll...
- Orchestra
- Instrumental Part: Piano
- Karl-Heinz Köhler
- Edwin F. Kalmus
-
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Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
- Orchestra
- Score
- Johannes Brahms
- Edwin F. Kalmus
-
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Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
- Orchestra
- Score and Parts
- Johannes Brahms
- Edwin F. Kalmus
-
ships within 2-4 weeks