Sheet Music for Symphonic Orchestra

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Pauke, Streicher, Orgel - Partitur

The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

Urtext der Neuen Mozart-Ausgabe unter Berücksichtigung der neuentdeckten Salzburger Fassung. Sopran solo, Oboe (2)/ Flöte, Horn (2), Streicher, Orgel - Partitur; Urtextausgabe

In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...

Messe für Solostimmen, Chor und Orchester. Urtext der Neuen Bach-Ausgabe. - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Performance Material for sale = BA5102). Sopran so...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe