Sheet Music for Symphonic Orchestra
The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.
The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.
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Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester
Stimmensatz - Flöte I; Flöte II; Fagott; Horn I; Horn II; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe - Orchester
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
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Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as directo...
Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as directo...
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The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
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This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.
This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.
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Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe
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Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
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This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
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This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
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Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.
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As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
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One of the most beautiful pieces of the Romantic cello literature - edited and provided with fingerings by the famous cellist Prof. Maria Kliegel. The orchestral accompaniment is easy to play - even f...
One of the most beautiful pieces of the Romantic cello literature - edited and provided with fingerings by the famous cellist Prof. Maria Kliegel. The orchestral accompaniment is easy to play - even f...
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In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.
In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.
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- Janos Szebenyi
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