Sheet Music for Symphonic Orchestra
Jean Sibelius (1865-1957) first composed the tone poem En Saga, Op. 9 in 1892, with the work premiering on February 16th, 1893, with Sibelius conducting the Helsinki Philharmonic. While one might imag...
Jean Sibelius (1865-1957) first composed the tone poem En Saga, Op. 9 in 1892, with the work premiering on February 16th, 1893, with Sibelius conducting the Helsinki Philharmonic. While one might imag...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
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- Edwin F. Kalmus
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Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...
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- Edwin F. Kalmus
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Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 2 Violins, Viola, Cello and Orchestra
- Score
- Edwin F. Kalmus
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Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 2 Violins, Viola, Cello and Orchestra
- Score and Parts
- Edwin F. Kalmus
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An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
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- Edwin F. Kalmus
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An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular cul...
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- Edwin F. Kalmus
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Johann Strauss, Jr. (1825-1899) wrote the KAISER-WALZER, Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock,...
Johann Strauss, Jr. (1825-1899) wrote the KAISER-WALZER, Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock,...
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- Edwin F. Kalmus
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Johann Strauss, Jr. (1825-1899) wrote the KAISER-WALZER, Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock,...
Johann Strauss, Jr. (1825-1899) wrote the KAISER-WALZER, Op. 437 (EMPEROR WALTZES) to celebrate the toast of friendship that Franz Joseph I extended when he visited Wilhelm II in 1889. Fritz Simrock,...
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- Edwin F. Kalmus
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The comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered yet for his contribut...
The comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered yet for his contribut...
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- Edwin F. Kalmus
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Johann Strauss II (1825-1899) wrote FURIOSO POLKA, OP. 260, in 1861, at a time when these quick dances thrived in Viennese ballrooms. In the subtitle "quasi Galopp", he indicated that the piece should...
Johann Strauss II (1825-1899) wrote FURIOSO POLKA, OP. 260, in 1861, at a time when these quick dances thrived in Viennese ballrooms. In the subtitle "quasi Galopp", he indicated that the piece should...
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- Edwin F. Kalmus
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THE GYPSY BARON (DER ZIGEUNERBARON) is an operetta in three acts by Johann Strauss II (1825-1899) which premiered at the Theater an der Wien on October 24, 1885. Its libretto, penned by the author Ign...
THE GYPSY BARON (DER ZIGEUNERBARON) is an operetta in three acts by Johann Strauss II (1825-1899) which premiered at the Theater an der Wien on October 24, 1885. Its libretto, penned by the author Ign...
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- Edwin F. Kalmus
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THE QUEEN'S LACE HANDKERCHIEF (DAS SPITZENTUCH DER KÖNIGIN) is an operetta by Johann Strauss II (1825-1899). The libretto by Heinrich Bohrmann-Riegen and Richard Genée is based on a fictional story ab...
THE QUEEN'S LACE HANDKERCHIEF (DAS SPITZENTUCH DER KÖNIGIN) is an operetta by Johann Strauss II (1825-1899). The libretto by Heinrich Bohrmann-Riegen and Richard Genée is based on a fictional story ab...
- Orchestra
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- Max Schoenherr
- Edwin F. Kalmus
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THE QUEEN'S LACE HANDKERCHIEF (DAS SPITZENTUCH DER KÖNIGIN) is an operetta by Johann Strauss II (1825-1899). The libretto by Heinrich Bohrmann-Riegen and Richard Genée is based on a fictional story ab...
THE QUEEN'S LACE HANDKERCHIEF (DAS SPITZENTUCH DER KÖNIGIN) is an operetta by Johann Strauss II (1825-1899). The libretto by Heinrich Bohrmann-Riegen and Richard Genée is based on a fictional story ab...
- Orchestra
- Director's Score
- Max Schoenherr
- Edwin F. Kalmus
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JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünf...
JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünf...
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- Edwin F. Kalmus
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The fourth in a set of tone poems that Richard Strauss (1864-1949) wrote before his career as an opera composer, DEATH AND TRANSFIGURATION (TOD UND VERKLÄRUNG) portrays the death of an artist and the...
The fourth in a set of tone poems that Richard Strauss (1864-1949) wrote before his career as an opera composer, DEATH AND TRANSFIGURATION (TOD UND VERKLÄRUNG) portrays the death of an artist and the...
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- Edwin F. Kalmus
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TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasa...
TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasa...
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- Edwin F. Kalmus
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TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasa...
TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasa...
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- Clinton F. Nieweg
- Edwin F. Kalmus
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Richard Strauss's (1864-1949) tone poem DON JUAN, Op. 20, was composed in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau...
Richard Strauss's (1864-1949) tone poem DON JUAN, Op. 20, was composed in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau...
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- Score and Parts
- Clinton F. Nieweg Nancy M. Bradburd
- Edwin F. Kalmus
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German philosopher Friedrich Nietzsche's best-known work, "Also sprach Zarathustra!" ("Thus Spoke Zarathustra!") has been an inspiration for many composers' works, but the best known is this 1896 symp...
German philosopher Friedrich Nietzsche's best-known work, "Also sprach Zarathustra!" ("Thus Spoke Zarathustra!") has been an inspiration for many composers' works, but the best known is this 1896 symp...
- Orchestra
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- Stuart S. Serio
- Edwin F. Kalmus
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Written between 1886 and 1888, Richard Strauss' (1864-1949) MACBETH, Op. 23 was the then young composer's first tone poem, which he described as "a completely new path" in his composition. It premiere...
Written between 1886 and 1888, Richard Strauss' (1864-1949) MACBETH, Op. 23 was the then young composer's first tone poem, which he described as "a completely new path" in his composition. It premiere...
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- Edwin F. Kalmus
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Written between 1886 and 1888, Richard Strauss' (1864-1949) MACBETH, Op. 23 was the then young composer's first tone poem, which he described as "a completely new path" in his composition. It premiere...
Written between 1886 and 1888, Richard Strauss' (1864-1949) MACBETH, Op. 23 was the then young composer's first tone poem, which he described as "a completely new path" in his composition. It premiere...
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- Edwin F. Kalmus
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Written in a Bavarian mountain resort in 1898, Richard Strauss' (1864-1949) eighth tone poem Ein Heldenleben (A Hero's Life) was a response to Beethoven's Symphony No. 3 ('Eroica'). Although he played...
Written in a Bavarian mountain resort in 1898, Richard Strauss' (1864-1949) eighth tone poem Ein Heldenleben (A Hero's Life) was a response to Beethoven's Symphony No. 3 ('Eroica'). Although he played...
- Orchestra
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- Stuart S. Serio
- Edwin F. Kalmus
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Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' c...
Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' c...
- Piano and Orchestra
- Score
- Edwin F. Kalmus
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Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' c...
Richard Strauss (1864-1949) originally wrote this work for solo piano and orchestra under the title Scherzo in D minor in 1886 for conductor and pianist Hans von Bülow, a large influence on Strauss' c...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks