Sheet Music for Symphonic Orchestra
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In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
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Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
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- Violin and Orchestra
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The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.
The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.
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- Flute and Orchestra
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- Janos Szebenyi
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Franz Anton Rössler-Rosetti wurde 1746 im mährischen Mimoň-Niemes geboren. Er wirkte zunächst im Orchester des Herzogs Oettingen-Wallerstein als Kontrabassist, später als Kapellmeister. 1781 lernte er...
Franz Anton Rössler-Rosetti wurde 1746 im mährischen Mimoň-Niemes geboren. Er wirkte zunächst im Orchester des Herzogs Oettingen-Wallerstein als Kontrabassist, später als Kapellmeister. 1781 lernte er...
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- Janos Szebenyi
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The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
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The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
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Stimmensatz - Flöte I, Flöte II/Alt-Blockflöte, Sopran-Blockflöte ad lib., 3 Schlagzeuge, Violine solo ad lib., 4 Violinen I/II, 2 Violoncelli, 2 Kontrabässe, Sopran-Glockenspiel, Alt-Glockenspiel [2....
Stimmensatz - Flöte I, Flöte II/Alt-Blockflöte, Sopran-Blockflöte ad lib., 3 Schlagzeuge, Violine solo ad lib., 4 Violinen I/II, 2 Violoncelli, 2 Kontrabässe, Sopran-Glockenspiel, Alt-Glockenspiel [2....
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Stimmensatz - Flöte I/Oboe, Flöte II/Oboe, Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violinen III (Viola), 2 Violen, 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte I/Oboe, Flöte II/Oboe, Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violinen III (Viola), 2 Violen, 4 Violoncelli/Kontrabässe
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Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Violine III (Viola), Viola, 2 Violoncelli/Kontrabässe
Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Violine III (Viola), Viola, 2 Violoncelli/Kontrabässe
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Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
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This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
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This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
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A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
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Dieses musikantische Konzert des böhmischen Komponisten Joseph Schubert (1757-1837) ist eine Bereicherung des Flötenrepertoires der Klassik.
Dieses musikantische Konzert des böhmischen Komponisten Joseph Schubert (1757-1837) ist eine Bereicherung des Flötenrepertoires der Klassik.
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- Istvan Mariassy
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As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
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As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
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One of the most beautiful pieces of the Romantic cello literature - edited and provided with fingerings by the famous cellist Prof. Maria Kliegel. The orchestral accompaniment is easy to play - even f...
One of the most beautiful pieces of the Romantic cello literature - edited and provided with fingerings by the famous cellist Prof. Maria Kliegel. The orchestral accompaniment is easy to play - even f...
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