Sheet Music for Symphonic Orchestra

Walter S. Hartley (1927-2016), whose works for saxophone and low brass significantly expanded the repertoire available for those instruments, wrote the QUARTET CONCERTO for SATB saxophones in 1992 for...

Three Mobiles For Flute, Cello and Piano by Bent Lorentzen. The instrumentation is open. A score is not available for this version.

Besetzung: Picc., Flöte, Oboe, Clarinette (Clar. basso), Fagott, Horn in F, Tromba in Sib, Batteria, Celesta, Harfe, Saxophon Solo, Streichorchester

Euphonium Solo & sinf. Orchester (2.2.2.2.- 4.2.0.0.- Pk,Schlgz, Streicher: 6.5.4.3.2

Sir Richard Rodney Bennett's Actaeon is a concertante piece for Orchestra and Solo Horn, composed in 1977. A virtuoso and versatile composer, Sir Richard Rodney Bennett was able to turnhis hand to a...

Joke or color code? Mozart composed all horn concertos for Joseph Leutgeb, a longtime friend of his family. In Salzburg, Leutgeb was a horn player and violinist in the court orchestra there, then went...

The Concerto was written in 1954 and given its premiere at the Royal Albert Hall with the BBC Symphony Orchestra. It is composed in three movements, Grazioso, Mesto and Con brio. Malcolm Arnold was a...

For Solo Percussionist and Orchestra

For 2 Flutes and Orchestra

Friedrich Witt wurde am 8. November 1770 in Niederstetten geboren. Mit etwa 17 Jahren kam er an den Hof von Oettingen-Wallerstein, um dort seine musikalische Bildung zu vervollkommnen. Er war wahrsche...

Ein Konzert eines anonymen Komponisten ist für Verleger und Händler immer eine kritische Sache. Wie und in welche Schublade darf man die Komposition legen? Wie kann der Händler eine Unterscheidung fin...

Narration by Virginia Russell With optional child soprano solo and optional SATB chorus; full set includes 40 voice parts.

Symphonies Nos. 1 and 5, ed. by Albrecht Dürr Kalliwoda entered the classical heritage with his symphonic works - his first work was compared by contemporaries to Mozart's late symphonies. On the othe...

If anywhere, here is the symphonic interlude between the Unfinished and the C major symphonies, Alfred Einstein rates the first and most extensive of the three interludes.